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CHICK, CHICK, CHICK, CHICK, CHICKEN!

This introduction to backyard chicken keeping couldn’t be sweeter.

Julie and younger brother Bob visit Grandpa’s backyard chicken flock.

This is evidently Bob’s first visit with Grandpa’s chickens, and Julie assumes the role of guide, informing Bob about chicken-coop construction, how roosters relate to the flock, and that there are “hundreds of different kinds of chickens.” Grandpa gently narrates the on-and-off excitement of a chick’s hatching. The ever-so-slight plot eases young readers into the book’s informational content. In addition to the facts conveyed by Grandpa and Julie, most pages feature supplemental tidbits presented in a faux hand-lettered type: “The mother doesn’t start sitting on the eggs until she’s laid the last one. Otherwise, they’d all hatch at different times.” The book’s fundamental nonfiction mission is cemented by an index that comes with a thoughtful note as to its use and a reminder to look at both the primary text and accompanying facts. The backmatter also includes an author’s note and a pointer to Barbara Sandri and Francesco Giubbilini’s Chickenology (2021). Regan’s watercolorlike mixed-media illustrations are characterized by quick lines and a bright, gentle palette. Both children have straight, dark hair (Julie’s in pigtails) and brown skin, as does their mother; Grandpa’s thatch of hair and bushy eyebrows are white, and his skin is beige. All are attired in comfy, slouchy clothes that befit the cozy episode.

This introduction to backyard chicken keeping couldn’t be sweeter. (Informational picture book. 4-7)

Pub Date: Feb. 25, 2025

ISBN: 9781536239058

Page Count: 32

Publisher: Candlewick

Review Posted Online: Oct. 25, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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