Essayist and journalist Gornick (Fierce Attachments, 1987; The Approaching Eye, 1996) gathers under one cover 11 essays that explore the meaning of love and marriage as literary themes in the 20th century. Gornick writes in a pithy, intensely concentrated literary style that is individual, uncannily precise, and a pleasure to read. Consider her comments on Grace Paley's prose: ``These sentences are born of a concentration in the writer that runs so deep, is turned so far inward, it achieves the lucidity of the poet. . . . The material is at one with the voice speaking.'' This is true of Gornick's own prose. She has the extraordinary ability to cut to the bone of our common experience with just a few, well-chosen words. What makes her work unusual for a book of this sort is that she persuades by the power of her language—gracefully poised between objective knowledge and subjective experience—more than by discursive argument. Her governing idea is this: Love, sexual fulfillment, and marriage are now exhausted as the metaphorical expressions of success and happiness. Modern experience cannot bear out these traditional meanings. It's not that people can no longer fall in love and be happily married. But the traditional scenario of love and marriage in the age of divorce and contraception ``cannot provide insight, it can only repeat a view of things that today feels sadly tired and without the power to make one see anew.'' Gornick's subtle ear and mind illuminate works by Paley, Willa Cather, George Meredith, Kate Chopin, Jean Rhys, Raymond Carver, Andre Dubus, Jane Smiley, Richard Ford, Christina Stead, and Radclyffe Hall. Not all familiar names, but Gornick makes you want to read the ones you don't know and reread the ones you do. An exceptionally well-written, original, and thought-provoking set of essays.
Pub Date: Oct. 1, 1997
ISBN: 0-8070-6222-7
Page Count: 160
Publisher: Beacon Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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