by Vivian Gornick ‧ RELEASE DATE: Sept. 1, 2001
An excellent exploration of the writing process that will particularly interest those who have toyed with the idea of...
An insightful examination of personal narratives.
In the course of her discussion, teacher and journalist Gornick (The End of the Novel of Love, 1997, etc.) observes, “Thirty years ago people who thought they had a story to tell sat down to write a novel. Today they sit down to write a memoir.” She does not try to explain this shift towards personal narrative, but concentrates instead on what distinguishes a successful memoir from a failed one. Not surprisingly, she holds that a successful author draws upon personal experience to illustrate broader truths, which involves engaging “one’s own part in the situation—that is, one’s own frightened or cowardly or self-deceived part.” To illustrate her point, she has culled a variety of personal essays and memoirs that go beyond a simple recital of events. These range from George Orwell’s well-known “Shooting an Elephant” to Lynn Darling’s “For Better and Worse.” To Gornick’s credit, her selection of narratives provides an invigorating reminder of just how subtle and varied the genre can be. As V.S. Pritchett once put it, “It’s all in the art. You get no credit for living.” Thus, Gornick reads Edward Hoagland’s “The Courage of Turtles” as an exploration of the contours of human intimacy. Likewise, James Baldwin’s “Notes of a Native Son” goes beyond the author’s own experience of racial prejudice to confront the complexities of civil society. In personal narratives, a reader must sense the author engaging his or her life dynamically. It is this quality that triggers the reader’s empathy and transforms the work from the purely personal—the Mommie Dearest syndrome—to the universal.
An excellent exploration of the writing process that will particularly interest those who have toyed with the idea of documenting their own experience.Pub Date: Sept. 1, 2001
ISBN: 0-374-16733-8
Page Count: 128
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2001
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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