A gripping, thought-provoking migration saga.
The Vargas Ramírez family braves the journey north to the other side in this tale translated from Spanish.
Told from the perspective of an unnamed child, the voyage commences with a bird’s song—“Tihui, tihui, tihui: let’s go, let’s go, let’s go.” Departing from Iztapalapa, Mexico, Land of Clay Upon Water, a group of seven family members and friends—soon joined by another pair in Coyoacán—take “bus after bus after bus.” On their path to the land where a feathered man is said to fly over metallic trees, the Migrant Warriors evade the Tiras—slang for law enforcement—and squeeze into a van that moves like “an enraged jaguar.” They eventually end up wading through darkness “as dense as an obsidian forest.” Others, including a stray dog, join them on their seemingly never-ending march, led by a sly coyote. The Migrant Warriors cross the Río Bravo; then it’s time to walk once more, thirsty, exhausted, and indebted to the Virgen de Guadalupe’s protection. Mansour’s vivid portrait of a migrant family’s travails blends motifs and imagery from Mesoamerican mythology, with dazzling, affecting results. Influenced by the Boturini and Mixtec Codices, Valtierra’s artwork boasts bold lines, strong color use, and salient iconography, beautifully complementing the text’s mythical tone. Grounded in compassion, this is a richly layered tale that will linger with readers.
A gripping, thought-provoking migration saga. (author’s note, glossary) (Picture book. 4-8)Pub Date: Feb. 11, 2025
ISBN: 9781646145157
Page Count: 48
Publisher: Levine Querido
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: today
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
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