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GARDENS OF AWE AND FOLLY

A TRAVELER'S JOURNAL ON THE MEANING OF LIFE AND GARDENING

A breezy, whimsical book that does its best to approximate the renewal one might feel upon visiting a garden.

A charming stroll through some public gardens.

Swift (Le Road Trip: A Traveler's Journal of Love and France, 2012, etc.) plainly loves the experience of gardens: the plentitude and solitude they offer, the colors and the scents, the tea rooms that provide the opportunity to relax and reflect. She also loves the idea of the garden, the ideal of one. For her, each garden says something significant about the city where it is situated, and gardens in general say something about humankind as a whole: “Ever since we first recognized ourselves as beings burdened with the mission of taking charge of this harsh, perplexing, seemingly pointless, and beautiful speck of dirt in the universe, our kind has been making gardens.” Thus, a garden is more than a garden; it is a means through which we make order, beauty, and sense. It is through gardens that “Earth has given life to every Eden we’ve ever imagined.” For armchair travelers and gardeners, Swift proves an engaging guide to gardens in locales ranging from Key West and post-Katrina New Orleans to Paris (“gardening capital of the world”) and Marrakech. Of the eight locations visited, Long Island would seem to be the odd place out, but that’s where the author lives. The chapter on London is perhaps the most compelling, focusing on change, both its inevitability and the natural resistance to it. The author returns to a favorite garden that she had discovered back when “travel was cheap and the Sex Pistols were dangerous,” only to learn that what she had once considered her private preserve was now a popular tourist attraction, its quaintness “redesigned…to make it dazzlingly relevant for the 21st century.” Yet disappointment gave way to acceptance, and Swift made her peace with the garden to which she returned, which was no longer the garden she had planned to write about.

A breezy, whimsical book that does its best to approximate the renewal one might feel upon visiting a garden.

Pub Date: March 1, 2016

ISBN: 978-1-63286-027-9

Page Count: 176

Publisher: Bloomsbury

Review Posted Online: Nov. 3, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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