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VIRGINIA WOOLF

A PORTRAIT

An engrossing, intimate, and deeply empathetic portrayal of a brilliant and enigmatic woman. The book won the 2009 Prix...

Exploring the palimpsest of a literary life.

Forrester (The Economic Horror, 1999, etc.), a French journalist, novelist, critic, and translator who died in 2013, has created a nuanced, impassioned portrait of Woolf (1882-1941) refracted through her most intimate relationships: notably, with her parents, Julia Duckworth and Leslie Stephen; her husband, Leonard; and her sister, Vanessa. Noting that there are many detailed studies of Woolf, Forrester is interested not in reprising the trajectory of her subject’s life and work but rather in rescuing her from “countertruths” perpetuated by “all the entangled lives, the secrets, the lies, the dramatic misunderstandings” that emerged from memoirs, letters, diaries, and some of her biographers. She particularly excoriates Quentin Bell, Woolf’s nephew and first biographer, for his “condescending tone, speaking of his aunt while scotomizing the writing, whose work, as he was fond of admitting coyly, he did not know very well.” In the “quasi-official account of her life,” Bell portrayed Woolf as sexually frigid, emotionally fragile, and often mad. Forrester, however, reads wild sensuality in her work, and she blames Leonard for quashing her desires. As Forrester sees him, Leonard was obsessive and neurotic, projecting onto his wife “what worried him about himself.” He insisted that she was an invalid needing rest and isolation; he forced upon her a daily glass of milk, which Virginia despised. He also took her to many doctors, eliciting their opinions about whether she should have a child. There was no consensus, but he and Vanessa decided it would be better if she did not. Forrester convincingly argues that calling Woolf “mad” is “a dangerous simplification”; instead, the author sees her anguish and rage precipitated by “clearly definable causes” such as “the despotic brutality with which she has…been denied children.”

An engrossing, intimate, and deeply empathetic portrayal of a brilliant and enigmatic woman. The book won the 2009 Prix Goncourt in France.

Pub Date: May 19, 2015

ISBN: 978-0-231-15356-0

Page Count: 240

Publisher: Columbia Univ.

Review Posted Online: Feb. 23, 2015

Kirkus Reviews Issue: March 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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