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THE BOOK OF EXODUS

THE MAKING AND MEANING OF BOB MARLEY AND THE WAILERS’ ALBUM OF THE CENTURY

Uncertain in organization and thin on insight—a blown opportunity.

A veteran reggae observer offers her take on an icon’s defining statement.

Goldman (Bob Marley, 1981) seems perfectly situated to write a compelling fly-on-the-wall book about the late reggae star’s 1977 album Exodus (named “Album of the Century” by Time magazine in 1999). Formerly features editor for the defunct British music weekly Sounds, she interviewed Marley frequently in Jamaica (where she stayed in his home for a time) and London, attended sessions for Exodus and accompanied the Wailers on their ’77 European tour. She takes a muddled trek through an interesting story. Goldman’s digressive account is mired by the enormous amount of backstory she must tell: Marley’s long apprenticeship in the island’s music business, the finer points of the Rastafarian faith and its connection with Judeo-Christian thought and the tangled and violent intrigues of ’70s Jamaican politics. A third of the book has gone by before Goldman arrives at her tale’s flashpoint event: the politically motivated December 1976 attempt on Marley’s life at his Kingston home, which led to his flight to London. There, the Wailers undertook studio work that resulted in not one but two albums, Exodus and its lightweight 1978 sequel Kaya (which she deals with only in passing). Despite a wealth of firsthand knowledge and copious new interviews, Goldman fails to bring the reader closer to an understanding of the record—a compelling mix of spiritual anthems and blissful love songs—or the deepest motivations of the artist who created it. A labored look at interpretations of the biblical exodus through artistic history stops the book dead in its middle section, while observations about the intersection of punk and reggae similarly bog it down near the end. An anecdote-studded track-by-track analysis of the album is no better than what one finds in other making-of tomes by less-savvy musical trainspotters.

Uncertain in organization and thin on insight—a blown opportunity.

Pub Date: May 1, 2006

ISBN: 1-4000-5286-6

Page Count: 288

Publisher: Three Rivers/Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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