A deeply strange novel that reads like a Chekhov play inspired by the comedy stylings of Monty Python.
A hallucinatory novella about an enormous Cossack family endlessly at odds with one other.
Linguistically intriguing but hard to follow, this work by Russian writer Otroshenko is an absurdist comedy about the ties that bind a family together, the nebulous relationships between fathers and sons, and the ghosts we capture in family photographs. The book has been carefully translated by Hayden, who contributes an introduction and an interview with the author and even reads the audio version. The story concerns a large Cossack family living under the thumb of Soviet Russia sometime in the early part of the 20th century. Malach Mandrykin is nominally the patriarch, although the question of paternity is one of the central plot points. When Malach marches off to fight in World War I, his wife, Annushka, has an affair with a mysterious, flamboyant figure known only as the Greek—"an incomparable artiste, a fabulously rich man, the owner of three circuses in China, and a sorcerer and seer besides." From this union is born “Uncle Semyon,” who grows up to be a strange, cranky bloke with fabulously ornate side whiskers who is prone to uttering loquacious speeches and the occasional prophecy. Much of the humor and drama of watching this clan of misfits unfold during the taking of the annual family portrait. Otroshenko is clearly playing with identity and point of view, admitting to Hayden in an introductory interview that not only is the narrator unreliable—“a mirage-like figure”—but also that it’s impossible to tell whether the story is being told by a nephew to this impossible number of uncles, by Uncle Semyon himself or by our mysterious Greek. Readers who enjoy the juxtaposition of comedy and tragedy in Russian literature may be intrigued, but others are likely to be simply confused.
A deeply strange novel that reads like a Chekhov play inspired by the comedy stylings of Monty Python.Pub Date: March 10, 2015
ISBN: 978-1-56478-125-3
Page Count: 120
Publisher: Dalkey Archive
Review Posted Online: Dec. 15, 2014
Kirkus Reviews Issue: Jan. 1, 2015
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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