by V.S. Naipaul ‧ RELEASE DATE: March 26, 1980
Naipaul on the prowl: three stinging pieces on the "unreal world of imitation"—in Trinidad, Argentina, and the Congo—and a capstone essay on Conrad. Originally published mainly between 1972 and 1975 (three in the New York Review of Books, one in the London Sunday Times), they include working notes, as it were, for the novels Guerrillas (1975) and A Bend in the River (1979). But their interest, individually and as a group, extends beyond Naipaul-watchers. "Michael X and the Black Power Killings in Trinidad," which leads off, is of cource the genesis of Guerrillas; but in this account of the making and unmaking of a would-be revolutionary—mesmerized by English cant and American black-power jargon—Naipaul delivers a body-blow to racial politics: the stupidity and the futility, yes (especially in black-majority Trinidad), but also the horror and the pity. "The Return of Eva Peron," multipartite, is more ruminative. Argentina is collapsing; guerrilla torture (1972) and official torture (1977) are glibly defended. Words, again: imprecations against colonialism, capitalism, police "pigs" in the first instance, invocations of the people's will in the second. "The social-intellectual diversions of the north are transformed"—in this sterile, second-hand society—"into horrible reality." "A New King for the Congo: Mobutu and the Nihilism of Africa" makes its point in the title: where the recent past is wiped out and the present is quicksand, a sham Africanism serves as an anchor. Here we find the beginnings of A Bend in the River—as well as the start of Naipaul's rediscovery ("or discovery") of Conrad as a progenitor, subject of the last brief, rangy essay. One may also discover in Naipaul himself less bitterness than appeared on first, early '70s reading, and more torment. A strong presence, a powerful collection.
Pub Date: March 26, 1980
ISBN: N/A
Page Count: -
Publisher: Knopf
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: March 1, 1980
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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