A perfect fusion of SF, thriller, and mystery—smart speculative fiction at its very best.
The first installment of Evans’ Songs of the Sage SF series explores a near future in which language is a streamed commodity controlled by corporations.
In the early 22nd century, learned language is largely obsolete. The majority of the world’s populace is “chipped” at birth with a neural implant that streams “Unilanguage” technology, which is controlled by powerful mega-corporations. The language-streaming business is a highly lucrative and rapidly evolving industry—but when a catastrophic global language outage inexplicably sweeps much of the world, humankind quickly devolves into chaos. Emyr Morgan, head of the Europol Cybercrime Division, is tasked with investigating the outage. The grand-scale conspiracy that he uncovers is ingeniously intricate and involves the most powerful people on the planet. He soon finds himself on the run, with only one person in his corner: the enigmatic Ebba Black, a linguistics professor, heiress, hacker extraordinaire, and the world’s last natural speaker of multiple dead or proscribed languages. She also may head a terrorist organization; Morgan muses, “I had never in my whole life met anyone quite like her” in a moment of comic understatement. The novel is powered by a multitude of narrative elements: deeply considered and meticulously described worldbuilding, an impressively complex storyline with numerous bombshell plot twists, emotionally compelling characters, and weighty themes concerning the power of language and the danger of humankind’s becoming overly dependent on technology. The pace is breakneck and the action nonstop, leading up to a stand-up-and-applaud conclusion that not only satisfies, but sets the stage for the next installment.
A perfect fusion of SF, thriller, and mystery—smart speculative fiction at its very best.Pub Date: May 2, 2023
ISBN: 9781739996222
Page Count: 388
Publisher: Nephilim Publishing
Review Posted Online: April 12, 2023
Kirkus Reviews Issue: June 1, 2023
Review Program: Kirkus Indie
BOOK REVIEW
PERSPECTIVES
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Captivating, frightening, and a singular achievement.
As Ireland devolves into a brutal police state, one woman tries to preserve her family in this stark fable.
For Eilish Stack, a molecular biologist living with her husband and four children in Dublin, life changes all at once and then slowly worsens beyond imagining. Two men appear at her door one night, agents of the new secret police, seeking her husband, Larry, a union official. Soon he is detained under the Emergency Powers Act recently pushed through by the new ruling party, and she cannot contact him. Eilish sees things shifting at work to those backing the ruling party. The state takes control of the press, the judiciary. Her oldest son receives a summons to military duty for the regime, and she tries to send him to Northern Ireland. He elects to join the rebel forces and soon she cannot contact him, either. His name and address appear in a newspaper ad listing people dodging military service. Eilish is coping with her father’s growing dementia, her teenage daughter’s depression, the vandalizing of her car and house. Then war comes to Dublin as the rebel forces close in on the city. Offered a chance to flee the country by her sister in Canada, Eilish can’t abandon hope for her husband’s and son’s returns. Lynch makes every step of this near-future nightmare as plausible as it is horrific by tightly focusing on Eilish, a smart, concerned woman facing terrible choices and losses. An exceptionally gifted writer, Lynch brings a compelling lyricism to her fears and despair while he marshals the details marking the collapse of democracy and the norms of daily life. His tonal control, psychological acuity, empathy, and bleakness recall Cormac McCarthy’s The Road (2006). And Eilish, his strong, resourceful, complete heroine, recalls the title character of Lynch’s excellent Irish-famine novel, Grace (2017).
Captivating, frightening, and a singular achievement.Pub Date: Dec. 5, 2023
ISBN: 9780802163011
Page Count: 320
Publisher: Atlantic Monthly
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Nov. 1, 2023
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