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GILDENHAMMER

THE BEATING OF HER HEART

With a more coherent perspective, this sequel offers a smoother entry into a bewitching but difficult story.

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An intriguing character narrates her side of a complex story in Chan’s fantasy sequel.

Readers familiar with the fantastical world of Kaef’re (which resembles ancient China), first introduced in the author’s previous novel Blackcloak: A Man of his Sword(2015), will find the onslaught of confusion and excitement familiar as this installment starts out with the fractured identities of the protagonist fighting each other. (“I, we. We…I’ve just learned to share with myself,” says the narrator as he violently grapples with the aftermath of the first book’s story.) This time around, the focus is on Charan’s sister Sariana Jaydemyr, who is ready to recount the details of her life and the long voyages through different realities, memories, and battles that brought her to Charan. Told from her perspective, Sariana’s tale begins in a village where she was known as Sarah-Jade Falkenstrom, the daughter of a self-centered and abusive lounge singer named Chantal. After being abandoned by Chantal’s husband, the mother and daughter move to Teristra, where the outbreak of war leads Sarah-Jade to hide in an Abbey. There, the same Dreamsong magic that fractured Charan’s identity in the first book also leaves Sarah-Jade—now called Sariana—with multiple memories and identities. (“Who am I supposed to be, and what will happen if I reveal the truth?”) Sariana hides behind multiple false identities within the Abbey, training as a Sister of the Liquid Night before emerging into the world armed with a vision of the apocalypse and a signature weapon called the Gildenhammer. Sariana ventures from there to the city of Kaifeng, where her brother is only beginning to understand their shared history—and where the same political intrigue and fighting of the first novel await them both. As Sariana’s twisted story starts to catch up with the present day, both siblings also move closer to new, shocking revelations.

Compared to the first outing in Chan’s fantastical world, this entry gives readers a bit more to hold onto as Sariana’s first-person narration anchors all of the magical interventions with a single point of view. “I grew up in the memory of a shadow of a fantasy, unable to live up to any of it,” Sariana explains to her brother (and to readers) while showcasing the poetic turns of phrase that made Chan’s first book distinctive. However, there is still a mountain of dense mythology and worldbuilding to climb. Readers can easily get lost in the vast lists of characters and competing factions—those feeling completely overwhelmed may do well to start at the end of the book, where the author has wisely provided a detailed chronological timeline mapping the major events of both novels. (Spoilers abound here, of course, but for many they may be worth the relative clarity.) Chan’s powerful prose still pierces through the fog of his unwieldy mythology—the horrific abuse Sariana/Sarah-Jade suffers while also struggling to understand her egotistical mother is chilling. Readers willing to put in the work to understand what’s going on will be rewarded with Chan’s big ideas and even sharper writing than in the original.

With a more coherent perspective, this sequel offers a smoother entry into a bewitching but difficult story.

Pub Date: Aug. 12, 2024

ISBN: 9780994285232

Page Count: 488

Publisher: N/A

Review Posted Online: Feb. 14, 2025

Kirkus Reviews Issue: April 1, 2025

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IRON FLAME

From the Empyrean series , Vol. 2

Unrelenting, and not in a good way.

A young Navarrian woman faces even greater challenges in her second year at dragon-riding school.

Violet Sorrengail did all the normal things one would do as a first-year student at Basgiath War College: made new friends, fell in love, and survived multiple assassination attempts. She was also the first rider to ever bond with two dragons: Tairn, a powerful black dragon with a distinguished battle history, and Andarna, a baby dragon too young to carry a rider. At the end of Fourth Wing (2023), Violet and her lover, Xaden Riorson, discovered that Navarre is under attack from wyvern, evil two-legged dragons, and venin, soulless monsters that harvest energy from the ground. Navarrians had always been told that these were monsters of legend and myth, not real creatures dangerously close to breaking through Navarre’s wards and attacking civilian populations. In this overly long sequel, Violet, Xaden, and their dragons are determined to find a way to protect Navarre, despite the fact that the army and government hid the truth about these creatures. Due to the machinations of several traitorous instructors at Basgiath, Xaden and Violet are separated for most of the book—he’s stationed at a distant outpost, leaving her to handle the treacherous, cutthroat world of the war college on her own. Violet is repeatedly threatened by her new vice commandant, a brutal man who wants to silence her. Although Violet and her dragons continue to model extreme bravery, the novel feels repetitive and more than a little sloppy, leaving obvious questions about the world unanswered. The book is full of action and just as full of plot holes, including scenes that are illogical or disconnected from the main narrative. Secondary characters are ignored until a scene requires them to assist Violet or to be killed in the endless violence that plagues their school.

Unrelenting, and not in a good way.

Pub Date: Nov. 7, 2023

ISBN: 9781649374172

Page Count: 640

Publisher: Red Tower

Review Posted Online: Jan. 20, 2024

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EMILY WILDE'S COMPENDIUM OF LOST TALES

A well-constructed and enjoyable conclusion.

In the conclusion to the Emily Wilde trilogy, a Cambridge professor of dryadology—faerie studies—prepares to live her research as never before.

Previously, in Emily Wilde’s Map of the Otherlands (2024), Emily poisoned Queen Arna, the usurping stepmother of her faerie-prince fiance, Wendell Bambleby, and found a gate to Wendell’s lost kingdom; naturally, the process of establishing a new monarchy in a quixotic faerie realm will be far from smooth. Unfortunately, Arna is not quite dead; she is using her poisoned, liminal state to blight the very landscape. Emily must employ her specific mortal skills (academic research and unrelenting resolve) to find the faerie lore that best describes their current situation, picking out the clues within scraps of old tales to locate the hidden, dying queen, and deal with her in a way that doesn’t lead to further damage. Although much of what she learns is grim, Emily forges on, determined to discover the path to a happy ending for herself and Wendell, where she can be the faerie queen she never imagined she’d be (and is frankly quite uncomfortable being). Thankfully, this concluding volume isn’t the feared retread of the previous two, both of which involved Emily’s research in remote European locations and her efforts to get on with the human locals, even while her obvious neurospiciness and deep understanding of rules allow her to deal with faeries more effectively than most mortals can. This installment makes effective callbacks to the previous two, while moving the story forward as Emily, despite the concerns of her mortal friends, tries to make a place for herself in a dangerous new world where not all of her subjects are prepared to take her seriously. Janet of Carterhaugh merely had to drag her lover Tam Lin from a horse to secure her happiness from a vengeful faerie queen; Emily has to put in real work, using her brain and plunging into physical danger to earn her future. The result is far more satisfying and believable, despite being mainly set in a fantastical world.

A well-constructed and enjoyable conclusion.

Pub Date: Feb. 11, 2025

ISBN: 9780593500224

Page Count: 368

Publisher: Del Rey

Review Posted Online: Dec. 11, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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