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PEOPLE OF THE MASKS

Tenth historical epic in the First North Americans Series (People of the Mist, 1998, etc.) by archaeologists Gear and Gear, this time focusing on pre-Colombian peoples living in what’s now New York and Ontario. Framing the story is the modern-day discovery of ceramics and human remains identified by one overweening archaeologist as Iroquoian—while an equally strong-minded female archaeologist calls them Algongkian, or Princess Point. Anyway, they date somewhere in the range of a.d. 500 to 1000. The novel proper tells of elderly tribal shaman Silver Sparrow’s failure to Dream and foresee a great raid by the Walksalong Villagers on Turtle Nation’s Paint Rock Village to kidnap the nine-year-old dwarf child Rumbler, known also as False Face Child—a very great Dreamer who can draw prophetic Power down from the skies and forecast major events. The murderous Jumping Badger leads the raid, kills the boy’s mother, burns Paint Rock Village to ashes, and carries the prophet child off to Wallksalong Village, which is part of the Bear Nation. The Bear Nation cultivates crops, lives in fortified villages of long-houses, and pushes against Turtle Nation, forcing them either to move or else blend their small-house villages with Bear-Turtle villages. When Jumping Badger’s warriors begin mysteriously dying, Rumbler, his hands tied together, is condemned to die on winter-whipped Lost Hill. Wren, a Walksalong girl three years older than he, helps him to escape into icy forests. But when Jumping Badger at last captures Wren . . . . Flowing imagination, storytelling marvels. The Gears have a fine time drawing the various interclan rivalries and clashes of cultures. (Satellite tour)

Pub Date: Nov. 18, 1998

ISBN: 0-312-85857-4

Page Count: 416

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1998

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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