edited by Wade Hudson & Cheryl Willis Hudson ‧ RELEASE DATE: Aug. 11, 2020
The ingredients are all here. May this magnificent collection inspire us to move from dialogue to deep action.
This star-studded collection of #ownvoices authors calls readers in for necessary reminders in service of everyday actions that we must pursue to cultivate real change.
This collection is right on time. As many people reach for undifferentiated anti-racist reading lists to catch up to the Black-led front lines of today’s social movements, the Hudsons take an approach for young readers that emphasizes intergenerational relationships, familial intimacy, and intersectional justice. These are “real conversations,” both in that many of them draw from true personal experiences and also in the sense that they revel in depth and substance. The editors put it this way: “With advice and love, harsh realities and encouraging words, the talks offered in this anthology…embrace honest ways of thinking that help expand ourselves and others in a complex and diverse society.” Each contribution has its own unique viewpoint paired with arresting grayscale illustrations; together they take on a diversity of forms including prose, poems, and comics. Race plays a central role, yet the conversations expand beyond a Black-White binary to be inclusive of Asian, Latinx, and Native experiences as well. An all-star list of authors and illustrators appears throughout the pages—an embarrassment of literary riches. Backmatter includes explanatory notes from some of the authors, and biographical notes on all the contributors. It’s a perfect sequel to the Hudsons’ critically acclaimed collection We Rise, We Resist, We Raise Our Voices (2018).
The ingredients are all here. May this magnificent collection inspire us to move from dialogue to deep action. (backmatter) (Anthology. 10-adult)Pub Date: Aug. 11, 2020
ISBN: 978-0-593-12161-0
Page Count: 128
Publisher: Crown
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
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by Jacqueline Woodson ‧ RELEASE DATE: Aug. 28, 2014
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share.
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A multiaward–winning author recalls her childhood and the joy of becoming a writer.
Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is “a country caught / / between Black and White.” But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father’s people in Ohio and her mother’s people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah’s Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe’s Stevieand Langston Hughes’ poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that “[W]ords are my brilliance.” Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)Pub Date: Aug. 28, 2014
ISBN: 978-0-399-25251-8
Page Count: 336
Publisher: Nancy Paulsen Books
Review Posted Online: June 24, 2014
Kirkus Reviews Issue: July 15, 2014
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SEEN & HEARD
by Tiffany Jewell ; illustrated by Aurélia Durand ‧ RELEASE DATE: Jan. 7, 2020
Essential.
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A guidebook for taking action against racism.
The clear title and bold, colorful illustrations will immediately draw attention to this book, designed to guide each reader on a personal journey to work to dismantle racism. In the author’s note, Jewell begins with explanations about word choice, including the use of the terms “folx,” because it is gender neutral, and “global majority,” noting that marginalized communities of color are actually the majority in the world. She also chooses to capitalize Black, Brown, and Indigenous as a way of centering these communities’ voices; "white" is not capitalized. Organized in four sections—identity, history, taking action, and working in solidarity—each chapter builds on the lessons of the previous section. Underlined words are defined in the glossary, but Jewell unpacks concepts around race in an accessible way, bringing attention to common misunderstandings. Activities are included at the end of each chapter; they are effective, prompting both self-reflection and action steps from readers. The activities are designed to not be written inside the actual book; instead Jewell invites readers to find a special notebook and favorite pen and use that throughout. Combining the disruption of common fallacies, spotlights on change makers, the author’s personal reflections, and a call to action, this powerful book has something for all young people no matter what stage they are at in terms of awareness or activism.
Essential. (author’s note, further reading, glossary, select bibliography) (Nonfiction. 10-18)Pub Date: Jan. 7, 2020
ISBN: 978-0-7112-4521-1
Page Count: 160
Publisher: Frances Lincoln
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
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