by Wallace Stegner ‧ RELEASE DATE: Sept. 1, 1998
A greatest-hits package from the late dean of western American letters. Stegner (1912-1993), already widely respected as a novelist and historian, became a hero of the environmentalist movement with his 1962 "Wilderness Letter," which made a plea to protect public lands in the west. He revisited this theme often while writing magazine pieces with western settings, most of which Stegner himself roundly dismissed as "grocery-buying junk." His son Page Stegner, a historian, has collected representative essays here, a handful of which—mostly travelogues and op-ed pieces—indeed seem to have been written for a quick boost in disposable income. Most of the others are, however, vintage Stegner, written with an eye toward educating the reader in the historical and ecological value of the western landscape. Stegner visits Lake Powell, the 200-mile-long result of damming Glen Canyon on the Colorado River; travels down the backroads of Utah and Saskatchewan; and wanders through western ghost towns. As he does so, he offers lessons from the past and warnings about the future, writing, for instance, "No western states except those on the Pacific Coast can permanently support large populations"—and this at a time before Nevada, Arizona, or Colorado had yet begun their ongoing population explosions. Readers familiar with Stegner's western oeuvre, especially "The Sound of Mountain Water" and his 1987 lecture series, "The American West as Living Space," will find little substantively new here, although Stegner fils has turned up some less celebrated writings that merit reprinting. For readers who are new to Stegner's environmental work, this is as good an introduction as any.
Pub Date: Sept. 1, 1998
ISBN: 0-8050-4464-7
Page Count: 384
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1998
Share your opinion of this book
More by Wallace Stegner
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by Elijah Wald ‧ RELEASE DATE: July 25, 2015
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
Share your opinion of this book
More by Elijah Wald
BOOK REVIEW
by Elijah Wald
BOOK REVIEW
by Elijah Wald
BOOK REVIEW
by Elijah Wald
More About This Book
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
Share your opinion of this book
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.