Next book

THE HOUR I FIRST BELIEVED

A clearer focus and a forgone subplot or two would have helped. Of interest, however, as an entry in the body of literature...

A glacially paced novel of modern manners and mayhem, its chief elements being middle-aged angst, mass murder and pizza.

Like Jack Torrance of Stephen King’s The Shining, Caelum Quirk is a man of ambition who moved to Colorado to find his fortune and wound up teaching creative writing to the unwilling. At the beginning of the book, we learn that Caelum’s wife, Maureen, has been engaging in certain extracurricular activities. While Caelum does not take an ax to the offending parties, he is consigned to the hell of anger-management courses all the same. For her part, Maureen discovers horror when violence erupts at the school where she works—namely, Columbine High, in the tidy Denver suburb of Littleton. Caelum, a teacher, is absent, attending to a sick aunt across the country. While doing so, and over the course of much time and much talk among many characters, Maureen reckons with having become unhinged while Caelum discovers ominous clippings in the family archive. Lamb (I Know This Much Is True, 1998, etc.) writes at considerable leisure about all this; indeed, the gunfire starts 150 pages into the narrative. Meanwhile and after, there is much pondering. Lamb knows how to put together a good, meaning-charged sentence (“I’ve stalked the monster during long, meditative runs on country roads, at the bottoms of wine and scotch bottles, and over the Internet, that labyrinth inside the labyrinth”), but there are plenty of clunkers, too. Moreover, the takeaway point isn’t quite clear: Lamb seems to be suggesting that inside every one of us, or at least every family, there’s a Dylan Klebold screaming to get out and plenty of skeletons for too few closets.

A clearer focus and a forgone subplot or two would have helped. Of interest, however, as an entry in the body of literature that has emerged from real tragedy.

Pub Date: Nov. 11, 2008

ISBN: 978-0-06-039349-6

Page Count: 752

Publisher: Harper/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2008

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 44


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Next book

A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

Awards & Accolades

Likes

  • Readers Vote
  • 44


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Categories:
Next book

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Close Quickview