A clearer focus and a forgone subplot or two would have helped. Of interest, however, as an entry in the body of literature...
A glacially paced novel of modern manners and mayhem, its chief elements being middle-aged angst, mass murder and pizza.
Like Jack Torrance of Stephen King’s The Shining, Caelum Quirk is a man of ambition who moved to Colorado to find his fortune and wound up teaching creative writing to the unwilling. At the beginning of the book, we learn that Caelum’s wife, Maureen, has been engaging in certain extracurricular activities. While Caelum does not take an ax to the offending parties, he is consigned to the hell of anger-management courses all the same. For her part, Maureen discovers horror when violence erupts at the school where she works—namely, Columbine High, in the tidy Denver suburb of Littleton. Caelum, a teacher, is absent, attending to a sick aunt across the country. While doing so, and over the course of much time and much talk among many characters, Maureen reckons with having become unhinged while Caelum discovers ominous clippings in the family archive. Lamb (I Know This Much Is True, 1998, etc.) writes at considerable leisure about all this; indeed, the gunfire starts 150 pages into the narrative. Meanwhile and after, there is much pondering. Lamb knows how to put together a good, meaning-charged sentence (“I’ve stalked the monster during long, meditative runs on country roads, at the bottoms of wine and scotch bottles, and over the Internet, that labyrinth inside the labyrinth”), but there are plenty of clunkers, too. Moreover, the takeaway point isn’t quite clear: Lamb seems to be suggesting that inside every one of us, or at least every family, there’s a Dylan Klebold screaming to get out and plenty of skeletons for too few closets.
A clearer focus and a forgone subplot or two would have helped. Of interest, however, as an entry in the body of literature that has emerged from real tragedy.Pub Date: Nov. 11, 2008
ISBN: 978-0-06-039349-6
Page Count: 752
Publisher: Harper/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2008
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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