by Wally Lamb ‧ RELEASE DATE: Oct. 22, 2013
We all know that life is tangled and messy. Still, in reminding readers of this fact, Lamb turns in a satisfyingly grown-up...
A searching novel of contemporary manners—and long-buried secrets—by seasoned storyteller Lamb (Wishin' and Hopin', 2009, etc.).
Lamb’s latest opens almost as a police procedural, its point of view that of one Gualtiero Agnello (hint: agnello means “lamb” in Italian), rife with racial and sexual overtones. Fast-forward five decades, and it’s a different world, the POV now taken by an artist named Annie Oh, sharp-eyed and smart, who is attending to details of her upcoming nuptials to her partner and agent, Viveca, who has chosen a wedding dress with a name, Gaia. Notes Annie, reflecting on the Greek myth underlying the name, “[c]haos, incest, monsters, warring siblings: it’s a strange name for a wedding dress.” That thought foreshadows much of Lamb’s theme, which inhabits the still-waters-run-deep school of narrative: Annie has attained some renown, is apparently adjusted to divorce from her husband, a clinical psychologist named Orion (Greek myth again, though he’s Chinese) Oh, and is apparently bound for a later life of happiness. Ah, but then reality intrudes in various forms, from Viveca’s request for a prenup to the long-suppressed past, in which natural disaster meets familial dysfunction. The story is elaborate and unpredictable, and the use of multiple narrators is wise, considering that there are a few Rashomon moments in this leisurely unfolding narrative. The characters are at once sympathetic and flawed and mostly, by the end, self-aware (Orion on Annie: “I’d just let her float away. But at the time, I couldn’t admit that. It was easier to think of myself as Viveca’s victim than to cop to my own culpability”).
We all know that life is tangled and messy. Still, in reminding readers of this fact, Lamb turns in a satisfyingly grown-up story, elegantly written.Pub Date: Oct. 22, 2013
ISBN: 978-0-06-194102-3
Page Count: 576
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 2, 2013
Kirkus Reviews Issue: Oct. 15, 2013
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PROFILES
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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