Brown (The People v. Lee Harvey Oswald, 1992) covers all the conspiracy bases. Was it the CIA? Organized crime? The Cubans? The FBI? The KGB? Castro? Secret Service? Richard Nixon? Texas oil money, maybe allied with right-wingers? Lyndon Johnson? And what role did the Dallas police play? Brown is steeped in the assassination lore of what he calls the ``research community,'' and this book is systematic and compelling in relaying the myriad ``and what about the . . .'' factoids that have glommed to the investigation like limpets in a scow. Brown covers each possibility, giving a thumbs up or down in an ``analysis'' section. He occasionally plies Ockham``there is no excess without necessity''to good effect; but with his flippant tone, he is more frequently guilty of reductio ad absurdum: ``As no theory regarding the planet Pluto has been proven, we may therefore conclude that the creation of the ninth planet was the work of a lone assassin.'' Some conclusions: The FBI knew about assassination plans in advance but said nothing and bungled the investigation. The Cubans didn't do it, they would have boasted. Organized crime had the money and clout to achieve their ends democratically (surely this applies to the Texas oil money Brown prefers to finger, too?). Rogue elements in the Dallas police played a sinister role. In fact, blue death, as he calls it, fired the shots. Brown also retails the palpably false idea that Oswald didn't have a motive. Correction: Oswald didn't have a motive that could easily translate to the silver screen (see Norman Mailer, Oswald's Tale, p. 363). A fun book, amusingly written, a useful roundup. It is, in fact, a species of cocktail, involving a plethora of different theories all poured from colorful bottles behind the bar. Read it for a salutary jolt of conspiracy, stirred, not shaken. (illustrations, not seen)
Pub Date: Oct. 1, 1995
ISBN: 0-7867-0238-9
Page Count: 448
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1995
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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