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EVERY HOUR, EVERY ATOM

A COLLECTION OF WALT WHITMAN'S EARLY NOTEBOOKS AND FRAGMENTS

A work to be savored for poetic insight and inspiration.

The latest entry in the Iowa Whitman series, focusing on the poet’s early work. Turpin and Miller, both English professors and Whitman scholars, do an invaluable service in transcribing the scattered pages of his pre–Civil War work, rendering them in an intimate, accessible format for lay readers and fans. In his helpful introduction, Miller emphasizes the small size of the actual notebooks—the size of a palm—and how "the economy of [Whitman's] handwriting is meticulous, at times even fussy." The editors have taken great pains to show the mechanics of Whitman’s process—the "trial lines," revisions, scratch-outs, and constant edits—revealing the poetic mind as the muse and mood carries Whitman along, literally strolling the streets of Brooklyn. Some of the fragments will resonate with readers well versed in Whitman's poetry, especially "Song of Myself" and "The Sleepers," but more often, there is a thrilling glimpse into the intensity of Whitman's imagery, tactile language, and fiery sensations. Best of all, the editors have not attempted to "clean up" his spelling or typographical disarray, since this is part of the joy of reading the rough-and-tumble poet and newspaper editor who was fond of "manicules" and drawings, as well. “If, while reading, you experience a kind of whiplash from Whitman’s abrupt fits and starts, know you are not the first,” writes Miller. “If one page of a notebook is so radically different in tone or texture from the next that it seems as if one part were written months or years after the other, that very well may be the case. Whitman often returned to notebooks he had abandoned for years.” It’s solid advice for reading these feverish bits of literature, well organized for further critical study or simple enjoyment. A work to be savored for poetic insight and inspiration.

Pub Date: July 1, 2020

ISBN: 978-1-60938-703-7

Page Count: 410

Publisher: Univ. of Iowa

Review Posted Online: June 17, 2020

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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