by John Brady ‧ RELEASE DATE: Feb. 1, 1997
Brady (Journalism/Univ. of Missouri), former editor of Boston magazine, provides an entertaining account of the notorious Republican political operative. Lee Atwater led the way in refining the basic tools of negative campaigning—attack ads, dirty tricks, and manipulation of the press—that dominate contemporary politics. Unconcerned with issues or consequences for the country, this devotee of Machiavelli approached political campaigns as wars to be won at any cost. These activities alone offer sufficient material for a juicy biography, but when you throw in continual womanizing, an addiction to exercise and to such musical genres as rock 'n' roll and the blues, and death from a brain tumor, his story takes on a larger-than-life quality. Wisely, Brady presents his material in a detached manner, letting Atwater's actions speak for themselves. The only significant exception to this approach is his discussion of the infamous Willie Horton television commercials, where Brady bends over backwards to minimize Atwater's responsibility. Nevertheless, by the last chapter we have become so inured to Atwater's antics that a final, potentially appalling incident is unsurprising. Confronted with a serious illness, he declares his love for his secretary/personal assistant, installs her as primary keeper and sometime bedmate in his family home (while living with his wife, children, and mother), then finds the emotional strain too intense and completely withdraws from her. Brady points to the tragic death of his brother when Atwater was five, along with his obvious hyperactivity and a penchant for manipulating people and information, to explain Atwater's behavior and personality. Whatever demons were behind his obsessions and skills, however, the result was a political strategist of the highest caliber. If we also criticize Atwater as amoral, we must ask further: What does this say about the candidates who were eager to hire him, and about the political system in which his tactics were successful? A combination of cynical political reality and modern tragedy, this volume is well worth reading. (b&w photos)
Pub Date: Feb. 1, 1997
ISBN: 0-201-62733-7
Page Count: 320
Publisher: Addison-Wesley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1996
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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