A fast-paced, easily digestible historical epic.
Williamson presents a tale of early-20th-century German South West Africa (now Namibia), told from a white colonist’s point of view.
In 1903, a young German named Conrad Huber receives the position of commissioner’s aide at the German Colonial Office in South West Africa. There, he stays in Commissioner Leutwein’s home in Windhoek, where he meets Sybille, who works in the commissioner’s office and is the daughter of Samuel Maharero, leader of the local Herero people. Due to ongoing struggles between Leutwein and Maj. Dietrich Baumhauer, the leader of the local militia, Conrad and Sybille are sent to negotiate with Maharero. Conrad soon rushes back to Leutwein, leaving Sybille with plans to reunite in Windhoek later, and he soon finds himself in the midst of a rebellion that results in Leutwein’s resignation and Conrad’s promotion to the Colonial Office’s Chief Expert under Gen. Lothar von Trotha. A battle with the Herero then ensues; Conrad receives a debilitating leg injury and is saved by his cousin Georg, who’s stationed in Windhoek. Von Trotha employs aggressive, inhumane tactics: “The Hottentots are savage and cowardly dogs,” he says at one point, employing an offensive term for the local inhabitants. “Murderous, villainous cannibals that must be put down!” Meanwhile, Conrad uses his new authority to track down the missing Sybille. Overall, Williamson deftly weaves an engaging story of adventure while taking care not to minimize the horrors inflicted upon the region’s people by Western European colonists. Readers may take exception to the fact that the story is told entirely from Conrad’s viewpoint; the author, in an afterword, notes this: “I have attempted to use my own lens to turn the white knight trope upside down and show how utterly helpless, out of place and unwanted such a ‘hero’ is.” The story’s structure is easy to follow, and although the author employs a certain amount of creative license to sustain the plot (the real-life Maharero didn’t have a German wife and a daughter named Sybille, for instance), it’s still firmly anchored in historical fact, including the horrific Battle of Waterberg, in which thousands of Herero soldiers and their families were killed.
A fast-paced, easily digestible historical epic.Pub Date: Dec. 12, 2023
ISBN: 9798350930801
Page Count: 458
Publisher: BookBaby
Review Posted Online: Jan. 29, 2024
Review Program: Kirkus Indie
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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