by Walter Johnson ‧ RELEASE DATE: April 14, 2020
A well-rendered, incisive exploration of “a history of serial dispossession and imperial violence.”
A Harvard professor of history and African American studies posits that studying the history of St. Louis can help explain more than 200 years of racism and exploitation in the U.S.
“This book,” writes Johnson, a Missouri native, “traces the history of empire and racial capitalism through a series of stages, beginning with the fur trade in the early nineteenth century and following all the way down to payday lending, tax abatement, for-profit policing, and mass incarceration in our own times.” In a narrative of unrelenting, justified outrage grounded in impressive scholarship, Johnson proceeds mostly chronologically. He begins in early-19th-century St. Louis, a city that served as a base for a violent white-dominated government and military, which murdered Native Americans in massive numbers, with impunity, while driving them away from their long-established homelands. After the eradication of Native communities, they turned their violent intentions toward black communities. Many of those black residents had lived in metropolitan St. Louis for generations; tens of thousands more had arrived from the Deep South hoping to escape the aftermath of slavery. Instead, they encountered a slavery of sorts based on low-wage employment; segregated, substandard housing, transportation, and schooling; and frequent emotional and physical violence. Johnson explains the nature of structural racism, including how it flows naturally from rampant capitalism. Although occasional passages qualify as theoretical—and may only appeal to fellow historians—every chapter includes searing, unforgettable examples. White men often portrayed as heroes are shown by Johnson to be bigots, including Lewis and Clark and Thomas Hart Benton, but the author also exposes plenty of unsavory characters who will be unknown to readers without a familiarity with St. Louis history. Johnson offers plenty of evidence from the current century, as well, including the police murder of Michael Brown in the suburb of Ferguson. The epilogue offers hope, however minimal, that residents can imagine “new ways to live in the city, to connect with and care for one another, to be human.”
A well-rendered, incisive exploration of “a history of serial dispossession and imperial violence.”Pub Date: April 14, 2020
ISBN: 978-0-465-06426-7
Page Count: 544
Publisher: Basic Books
Review Posted Online: Jan. 25, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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