A riveting portrait of what Kurt Weill called the “total breakdown of all human dignity,” revealed through the bric-a-brac...
From the absurd to the sublime, and everywhere heartbreaking: a collage of voices from the tail end of the world’s conflagration.
In 2005, German novelist Kempowski (1929-2007) published this cross section of voices, ordinary and otherwise, commenting on the end of World War II in German as part of a series of compositions largely exploring German guilt for the war. Over 20 years, he collected an astonishing array of autobiographies, letters, diaries and other documents to create a raw, tremendously moving set of reactions to the momentous events of April through May 1945: the lugubrious birthday celebrations of Adolf Hitler on April 20, the Allied liberation, VE-Day, and the very different takes by the international participants on the final signing of Germany’s capitulation at Karlshorst, Berlin, on May 8. In the preface, Kempowski notes that he composed this wealth of voices like an imagined Tower of Babel, revealing a similarly teetering longing by frail and inadequate humans for some kind of recognition of or consolation for their experience and suffering. Among dozens of other situations, the author examines German soldiers lying wounded in American hospitals; Joseph Goebbels, the “diabolical seducer,” continuing his vituperative radio address, declaring that “Chaos will be tamed!”; the scores of Berliners vulnerable to the retribution of marauding Russians; the prisoners in concentration camps, hanging by the barest thread; Field Marshal Wilhelm Keitel, persistent in his maddeningly correct accounts until the very last signing ceremony; and Hitler’s own final maniacal insistence that the blame of the war lay squarely with the Jews. Kempowki juxtaposes the voices of the poignantly unknown with the famous—from Thomas Mann eagerly following the movements of the Allied armies into Germany from his home in Los Angeles to Edmund Wilson in London wondering what the “roast duck” on the menu really was (probably crow).
A riveting portrait of what Kurt Weill called the “total breakdown of all human dignity,” revealed through the bric-a-brac of war-shattered lives.Pub Date: April 13, 2015
ISBN: 978-0-393-24815-9
Page Count: 480
Publisher: Norton
Review Posted Online: Dec. 16, 2014
Kirkus Reviews Issue: Jan. 1, 2015
PERSPECTIVES
PROFILES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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