by Walter Kirn ‧ RELEASE DATE: Dec. 27, 2012
If Kirn has continued reading the Bible, he should continue writing about it, for his responses to Job and the New Testament...
In what reads like a Bible blog—a literary, layman’s interpretation—the author comes to terms with the death of his mother and a whole lot more after discovering her biblical notes and annotations.
As a highly respected literary critic, essayist and novelist, Kirn (Lost in the Meritocracy: The Undereducation of an Overachiever, 2009, etc.) inherited more skepticism than faith from his mother. He had not read the Bible until he discovered, after his mother’s death, that she had not only read it, likely more than once, but had taken copious notes. In those notes and the Scripture that inspired them, he discovered “my mother’s ghost. It swirled up out of the margins of her Bible and granted my wish to hear her voice again.” Thus motivated, Kirn began to read the Bible through the eyes of his “freethinker” mother and to confront the God who imbued mankind with sin and mortality—the God who let his mother suffer in her final stages. “Maybe because my first motive was love, I’m afraid there’s a lot of anger in what I’ve written,” he admits. “How could there not be? The half-shaved head. The morphine. The Bible stories themselves, so harsh and violent. Most of the anger is mine. Some is my mother’s. But all of it belongs to God in some way. It came from him; why not return it?” The entries are as short as they are provocative, frequently assuming an accusatory familiarity that fundamentalists might well find blasphemous.
If Kirn has continued reading the Bible, he should continue writing about it, for his responses to Job and the New Testament (as well as his mother’s) might well be even pricklier than what he offers here.Pub Date: Dec. 27, 2012
ISBN: 978-1-61452-059-7
Page Count: 50
Publisher: Byliner
Review Posted Online: Jan. 16, 2013
Kirkus Reviews Issue: Feb. 1, 2013
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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