For thoughtful readers, the questions posed by the book are well worth pondering.
Two more novellas in one volume, continuing Mosley’s Crosstown to Oblivion series (The Gift Of Fire / On The Head Of A Pin, 2012), the common theme being, "a black man destroys the world."
Longer, more substantial and carefully worked-out, Merge begins when Rahl Redman notices something resembling a dead branch in his apartment. The being, an Ido, is one of many refugees from a remote planet with an eerie and complex ecology. He feeds the creature, and slowly, it transforms into something approximating human. Meanwhile, the news is rife with stories of other Ido that drink blood, spew poison gas or explode. They can only survive on Earth by merging with an existing life-form. Earth’s governments, meanwhile, decide that the Ido represent an existential threat and prepare to use any and all means to exterminate them. Rahl decides to merge with his Ido and help their race—an action that will bring him through transcendental bliss and unimaginable agony to, perhaps, salvation. Disciple, by contrast, is the more mystical, less logical, and weaker partner. Hogarth “Trent” Tryman, a nonentity toiling in a dead-end job, receives a bizarre instant message from someone calling himself Bron. What Bron has to say seems unbelievable, but in a matter of days, Hogarth finds he’s now the boss of the corporation. Bron, it emerges, serves a godlike entity called the Stelladren, which if it dies, will wither the souls of all intelligent beings everywhere. But to preserve the Stelladren, most of humanity must die. So what is Mosley offering here? Analogy, parable, allegory? Are only black Americans disaffected or alienated enough to go along, or do his protagonists just happen to be black?
For thoughtful readers, the questions posed by the book are well worth pondering.Pub Date: Oct. 2, 2012
ISBN: 978-0-7653-3009-3
Page Count: 288
Publisher: Tor
Review Posted Online: Aug. 28, 2012
Kirkus Reviews Issue: Sept. 15, 2012
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
For those who like their science fiction dense, monumental, and a bit overwrought.
Brown is back with Book 4 of his Red Rising series (Morning Star, 2016, etc.) and explores familiar themes of rebellion, revenge, and political instability.
This novel examines the ramifications and pitfalls of trying to build a new world out of the ashes of the old. The events here take place 10 years after the conclusion of Morning Star, which ended on a seemingly positive note. Darrow, aka Reaper, and his lover, Virginia au Augustus, aka Mustang, had vanquished the Golds, the elite ruling class, so hope was held out that a new order would arise. But in the new book it becomes clear that the concept of political order is tenuous at best, for Darrow’s first thoughts are on the forces of violence and chaos he has unleashed: “famines and genocide...piracy...terrorism, radiation sickness and disease...and the one hundred million lives lost in my [nuclear] war.” Readers familiar with the previous trilogy—and you'll have to be if you want to understand the current novel—will welcome a familiar cast of characters, including Mustang, Sevro (Darrow’s friend and fellow warrior), and Lysander (grandson of the Sovereign). Readers will also find familiarity in Brown’s idiosyncratic naming system (Cassius au Bellona, Octavia au Lune) and even in his vocabulary for cursing (“Goryhell,” “Bloodydamn,” “Slag that”). Brown introduces a number of new characters, including 18-year-old Lyria, a survivor of the initial Rising who gives a fresh perspective on the violence of the new war—and violence is indeed never far away from the world Brown creates. (He includes one particularly gruesome gladiatorial combat between Cassius and a host of enemies.) Brown imparts an epic quality to the events in part by his use of names. It’s impossible to ignore the weighty connotations of characters when they sport names like Bellerephon, Diomedes, Dido, and Apollonius.
For those who like their science fiction dense, monumental, and a bit overwrought.Pub Date: Jan. 16, 2018
ISBN: 978-0-425-28591-6
Page Count: 624
Publisher: Random House
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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