by Walter Russell Mead ‧ RELEASE DATE: July 5, 2022
An essential contribution to the literature of politics and diplomacy in the Middle East.
A veteran foreign policy scholar explores the ups and downs in the complex friendship between the U.S. and Israel.
“There are few subjects in American foreign policy that get as much attention as the relationship between the world’s only Jewish state and the global superpower,” writes Mead, author of God and Gold and Special Providence, among other trenchant works on the far-reaching tentacles of American foreign policy. Even so, much of that literature is biased and wrongheaded. In the complicated business of foreign policy, writes the author, “even experts go badly wrong, and history is full of examples in which very serious and thoughtful people have fundamentally mistaken the nature of the forces with which they were trying to deal.” So it is with Israel, a nation resolute in insisting that it be allowed to live on its own terms even while being closely shepherded by the U.S. In Mead’s view, the idea that Jews somehow secretly control the U.S. government and media, to say nothing of its finances, is not worth discussing. Far more important is the seemingly intractable issue of political balance in the always-volatile region, with American political leaders so often favoring close ties with authoritarian Arab states even as dollars-and-cents–minded policymakers have had to negotiate ways to “ensure the security of the oil producers…so that no single power had the ability to interrupt the oil flow.” A nuclear Israel has complicated that already tangled state of affairs even as an aggressive settler regime under Benjamin Netanyahu has further destabilized regional relations. Writing fluently and with a depth born of decades of study, Mead urges that Israelis and Palestinians work harder to achieve ever elusive peace in the region, holding that “the creation of a Palestinian state will move both sides closer to a mutually acceptable accommodation.”
An essential contribution to the literature of politics and diplomacy in the Middle East.Pub Date: July 5, 2022
ISBN: 978-0-375-41404-6
Page Count: 288
Publisher: Knopf
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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