The least substantive of Just’s recent novels.
Old men’s memories of making history overshadow their children’s less dramatic lives.
A U.S. senator for 54 years, Kim Malone was, like his idol FDR, a liberal Democrat, a mover and shaker. Now Kim lies dying in a Virginia hospital, visited by his only child, Alec. His son disappointed Kim twice: by not following him into politics, and then, after becoming a well-regarded news photographer, by refusing an assignment in Vietnam. Despite these past disagreements, and their temperamental differences, father and son share a deep affection. Adopting different viewpoints, veteran political novelist Just (Forgetfulness, 2006, etc.) narrates with his trademark urbanity, moving from Kim’s memories to those of Alec and his wife Lucia. Czech by origin, Swiss by upbringing, she too had an activist parent; her mother, a socialist, held salons in Zurich while the outdoorsy Lucia skied competitively until a severe accident changed her life. She was an au pair in the Washington home of the Swiss ambassador when she met Alec in the early 1960s. They married, had a daughter and bought a house in Georgetown. Then, over the fence, Lucia hears cocktail-party chatter from the Central European exiles of the title. It acts as a siren song for Lucia. She falls in love with Nikolas, a Hungarian professor/novelist, and they elope to Switzerland. Though devastated, Alec does not fight for her. He’s an enigma, everyone agrees, and that’s OK—so was Iago. But Othello’s treacherous ensign was an enigma in action, while Alec is mired in passivity, a dull character in an unexamined marriage. A second old man restores some energy to this ragged story line. In a blatant contrivance, Lucia’s long-disappeared father Andre shows up in a Washington boardinghouse. His experience as a partisan in Yugoslavia, fighting the fascists in World War II, bookends Kim’s fights in the Senate; both men were committed to the struggle in a way Alec never managed to be.
The least substantive of Just’s recent novels.Pub Date: July 7, 2009
ISBN: 978-0-547-19558-2
Page Count: 288
Publisher: Houghton Mifflin Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2009
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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