by Warner Loughlin ‧ RELEASE DATE: Jan. 30, 2018
An impressive book details a groundbreaking and approachable acting method.
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A progressive new acting technique used by many of the biggest names in film and TV emphasizes building characters over mining personal traumas for more natural and engaged performances.
Loughlin’s debut book brings her eponymous acting method, employed by Hollywood stars like Ryan Reynolds, Emma Roberts, Amy Adams, and more, to performers struggling with the bad habits of more conventional teachings. Chief among these are the idea of the “tortured artist” and the many long-used but toxic exercises that encourage actors to pull from their own traumatic experiences to produce strong emotions onscreen. The Warner Loughlin Technique at first proposes an analytical approach, breaking down characters before deconstructing the scenes they’re in, then turning the material in the pages of the script into “Core Knowledge”—“the history of the character.” Extrapolating how these characters would then react from that knowledge, utilizing teachings on psychosocial development from the likes of Erik Erikson’s Hierarchy of Needs, and determining what drives these fictional players by exploring their needs and fears allows actors to perform more fluidly. More commonly accepted methods, from molding intricate backstories to actors’ examining their own emotions, still have roles. But these tactics should be kept separate from the actor’s history through strategies that permit the creation and experience of a character’s world rather than a retread of the performer’s own. Loughlin’s book has a colloquial tone, often sharing her own life experiences to illustrate certain points, as if readers are working with the author one-on-one. Some scenes and characters are provided, with detailed examples of how to assess them. These beneficial dissections come from actors as well as the author. The performers deliver not only endorsements, but also their own rich accounts of the method. For example, both Shiri Appleby and Wes McGee supply helpful and deeply intimate details of how they used the technique. Along with protecting the actor’s psyche, other valuable tips and tricks abound, including some practices to avoid: excessive note taking, memorization, and perfectionism, among them.
An impressive book details a groundbreaking and approachable acting method.Pub Date: Jan. 30, 2018
ISBN: 978-0-9995270-1-6
Page Count: 272
Publisher: Howland-Tilley Press
Review Posted Online: Jan. 24, 2018
Kirkus Reviews Issue: March 1, 2018
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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