Glib trash, and a rather sad middle-aged male fantasy of a younger woman’s desire for an older man.
A crude attempt at romance from Adler (The Ties That Bind, 1994, etc.), this time about a Catholic divorcée on the skids who ensnares and then falls in love with a rich Jewish widower.
Thirty-eight-year-old Grace can barely support herself and troubled sixteen-year-old daughter Jackie working at the makeup counter of the Saks Fifth Avenue in Palm Beach, Florida. When Grace gets fired, the executive doing the firing coolly suggests she look for a rich, aging husband instead of a new job—a Jewish widower, the ex-boss suggests, because Jewish men make good husbands. At first Grace is outraged, but she needs money and finds herself attending Jewish funerals. She sets her sights on Sam, a business magnate whose wife has died of cancer. In his early 60s, Sam is fit, good-looking, and well-heeled. Grace insinuates herself into his life by pretending to have done charity work with his wife, and he accepts her offer to give away the dead woman’s extensive wardrobe. Soon she is at the house daily, sorting designer labels, sipping champagne with Sam, and having the best sex of her life. While charming him with her apparent honesty, Grace is increasingly guilt-stricken about the web of lies she's spun about her past. She doesn’t know that Sam is also hiding a guilty secret: his beloved wife’s frigidity sent him to prostitutes. Then Grace discovers that his wife secretly had a lover. As Grace falls in love with her Jewish “mark,” she tries to give moral guidance to Jackie, now under the spell of a vicious, anti-Semitic skinhead. Can Sam, a kind and caring person as well as a fabulous lover, save not only Grace but her daughter from evil? Will he still love Grace even after all secrets are exposed?
Glib trash, and a rather sad middle-aged male fantasy of a younger woman’s desire for an older man.Pub Date: Aug. 7, 2001
ISBN: 1-57566-898-X
Page Count: 352
Publisher: Kensington
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2001
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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