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SOPHIA LOREN

A BIOGRAPHY

Harris's account of the life of the star of such semi-memorable movies as Two Women and El Cid is a few shades more perceptive and readable than the average show-biz bio. The star cycle of female sex symbols is all too short. For 10 years, 15 if they're lucky, they reign as pinnacles of beauty and desirability. Then, they are gone. If they're lucky, they might reappear when they have reached the age to play grannies. Loren's career is an almost archetypal illustration of this sad, inevitable trajectory. Raised in utter poverty in Naples, she came of star-age at 19, in the heady days when tax breaks and tax restrictions created the multinational film and the multinational star. It was a time when foreign meant racy, and under the guise of the ``art film'' European movies thrilled American audiences with the kind of titillation they would never have countenanced in an American film. With her bold, fleshy beauty (and willingness to show cleavage), Loren quickly attracted general attention, as well as the attentions of producer Carlo Ponti. With his guidance and support, her career took off. Italy forbade divorce, but the married Ponti and Loren were soon living together. Through any number of infidelities and purported infidelities—all round—they have stayed together, eventually marrying as laws were liberalized. Harris (Audrey Hepburn, 1994, etc.) capably chronicles all these colorful goings-on without neglecting the movies themselves, of which some were great successes, while many more sank. Ultimately, these bad movie choices, conjoined with age, reduced Loren to semi-retirement. However, as Harris documents, she has enjoyed a second career as pitchwoman for her own brands of perfume and eyeglasses. And now the grandmother roles are just around the corner. For those still fascinated by the Academy Awardwinning Italian actress, here are all the essentials and a little bit more. (40 b&w photos, not seen)

Pub Date: Jan. 1, 1998

ISBN: 0-684-80273-2

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1997

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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