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WHEN EMILY WENT MISSING

MY HAUNTED GARDEN BOOK 1

From the My Haunted Garden series , Vol. 1

A gripping, ultimately endearing supernatural tale about an odd girl and an even odder garden.

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A young woman experiences supernatural horticulture in small-town Texas.

Weems’ novel starts off on a normal enough, albeit sordid, note: In the town of Foxglove, Texas, young Ruth Gonzalez’s mother, referred to only as “Mom,” begins a secret affair with her former high school boyfriend, Dale Roberts (Ruth: “His name still tastes like vomit in my mouth whenever I speak it”), while Ruth’s father is out of town. What followed has become known as “the Incident.” Overcome with remorse, Mom broke off her affair with Dale. But Dale returned to their house later, drunk, and shot her to death, severely injuring Ruth with an errant gunshot through her head. (“Numerous bridges of my brain were either damaged or wholly disconnected, but instant death was not a result,” she deadpans. “I called that a win.”) In the wake of the Incident, Ruth’s life changes dramatically. In addition to the fact that her brain “did some rewiring,” her long-haul trucker father decides to get a local job so they can spend more time together. One priority is to leave their murder-haunted house. They take the groundskeeper’s property at the local cemetery, a house once occupied by an eccentric character named Eddie who compulsively knew everything about every U.S. president and claimed that the overgrown garden behind the property was peculiarly resistant to mowing or pruning. The novel is narrated from Ruth’s first-person perspective, and by this point, she’s already revealed to readers that she often hears Eddie’s president-obsessed thoughts in her head and that one of her best friends “is a dead woman named Lilith.” So, it’s no surprise when she immediately begins to feel a strange communication with the overgrown wild garden behind her new house.

Weems balances the mixture of small-town ways and supernatural happenings with an easy, seasoned confidence. The key to this success is his decision to tell the story from the immediate viewpoint of Ruth herself—and to invest her with a quirky, dark, sharply observant personality more reminiscent of a Flannery O’Connor character than of Harper Lee’s Scout. This decision allows Weems to flex his comic talents even in the grimmest moments of the plot. At one particularly dark moment at the book’s climax, for instance, Ruth spots a procession of fire ants floating together across the surface of a body of water and thinks they look “like a bunch of drunk college kids floating the Guadalupe.” The twin forces impinging on Ruth’s post-shooting life—the brainless, gossiping cruelty of her classmates (one more than others, the Emily of the book’s title) and Ruth’s own burgeoning supernatural experiences—lead her to commune not only with dead people, but also with the mysterious garden itself: “You can sleep here. Sleep in the dirt with us,” that garden voice tells her. “It’s peaceful here….You can rest while we’ll watch over you.” The narrative moves ahead at its own distinctly idiosyncratic pace, with Ruth digressing at pretty much any point she pleases. The result is entirely winning, a story that manages to be simultaneously dark and heartwarming.

A gripping, ultimately endearing supernatural tale about an odd girl and an even odder garden.

Pub Date: Feb. 12, 2021

ISBN: 979-8-70-818729-1

Page Count: 322

Publisher: Self

Review Posted Online: June 2, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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