Next book

BALTIMORE'S MANSION

A MEMOIR

Johnston is a master of understatement wringing honest nostalgic emotion from simple declarative sentences. Here he offers a...

A beguiling combination of family history and autobiography, this first nonfiction work from Ontario novelist Johnston (The Colony of Unrequited Dreams, 1999) forms a revealing appendage to his own fictional works.

We are given the experiences of three generations of Johnstons in a carefully shaped narrative that blends together chronological history, the adult Johnston’s backward looks at his own childhood, and fictionalized reconstructions of quietly climactic moments in the lives of Johnston’s paternal grandfather Charlie and father Art. The former was a blacksmith and fisherman in “Ferryland,” the original name of the colony founded in the 1620s by England’s Lord Baltimore (the site of whose mansion, long since destroyed, is still sought by archaeologists and scholars). Art was a better educated, more opinionated sort who went away to college vowing to escape the hardships that had claimed Charlie, but ended up a “fish-preoccupied, fish-infatuated man” who would become a federal fisheries inspector. Their episodic stories are unified by the Johnstons’ (most especially Art’s) ongoing hatred of the “Confederation” (with mainland Canada, accomplished in 1947) and its avatar—the resourceful politician Joseph Smallwood—a theme echoed in such vivid sequences as young Wayne’s train journey across the province (in protest against “the first trans-island paved road” and the advent of buses) and a wistful description of the author’s leavetaking from home (for college, and the hope of becoming a writer). The book climaxes with Johnston’s movingly imagined re-creation of the “final days,” during which Charlie and Art separately (and dourly) await the dawning of Confederation, and with it the loss of their country’s independence and their awareness of their own powerlessness and mortality.

Johnston is a master of understatement wringing honest nostalgic emotion from simple declarative sentences. Here he offers a rich display of the rhetorical skills and heartfelt cultural recall that make his novels so enchanting and rewarding.

Pub Date: June 16, 2000

ISBN: 0-385-50031-9

Page Count: 288

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2000

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Close Quickview