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THE NATANZ DIRECTIVE

Ruthless and remorseless James Bond-ian escapades, sans skirt-chasing intervals, in the name of Western ideals.

In Simmons and Graham’s (The Missing Sixth, 2011, etc.) spy thriller, Jake Conlan is called back undercover. 

Conlan’s past 50, but he’s no less lethal when set to task by his mentor, the mysterious Mr. Elliot. Word is Iran finally has the bomb and means of delivery, and Jake’s sent to stop The Twelvers, the messianic Shiite group in power, from using it. After a clandestine SR-71 flight to Paris, Jake is first tasked to clean up a minor mess. A drug dealer has his hooks in a weak-kneed U.S. senator serving on an intelligence committee. Jake plugs that leak with a Mauser pistol. Complications arise when it develops that the dealer had connections with Mujahedim-e Kahlq, an Iranian opposition group financing operations with edge-of-legal activities. Post-Paris action moves to Antwerp for a cinematic chase scene, then to Turkey, where a security breach means someone is an Iranian agent. Undercover ops like Jake need a plethora of tech tools to foil the evildoers plus help from a stalwart general back in D.C. Need to HALO jump (high altitude, low opening) into Iran? The U.S. Air Force routes a black-ops-modified C-17 to a remote airstrip in Turkey. Conlan’s primary weapon, however, seems to be his modified iPhone. GPS, encrypted communications, specialized apps—Conlan pulls it out more often than his Walther PPK. Once among the bad guys, Conlan leaves more than one Iranian shot or stabbed while he dodges from peril to peril like a frog hopping across burning lily pads. Under the noses of the mullahs, Conlan is aided by Charlie Amadi, who once skated around U.S. law and is now Iran’s premier contraband smuggler. Charlie’s beautiful cohort, Jeri, provides muscle as Conlan infiltrates, spies and iPhones-home vital information from Qom and Natanz. No worries. An hours-away three-pronged nuclear strike on Israel and the West promptly falls victim to assorted fighter-bombers and bunker-busters.

Ruthless and remorseless James Bond-ian escapades, sans skirt-chasing intervals, in the name of Western ideals.

Pub Date: Sept. 18, 2012

ISBN: 978-0-312-60932-0

Page Count: 304

Publisher: Dunne/St. Martin's

Review Posted Online: Aug. 14, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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