A rousing sequel to the prolific Griffin's Honor Bound (1994), which introduced Cletus Howell Frade, a US Marine Corps fighter pilot (born in Argentina to an American mother) on assignment for the OSS in WW II Buenos Aires. This time out, Clete heads back to neutral Argentina in the spring of 1943 after an extended leave spent with his maternal grandfather, an autocratic oil tycoon. Ostensibly returning to bury his father (a wealthy colonel assassinated by Nazi agents fearful that he might overthrow the Castillo regime and take Argentina to war on the side of the Allies), Clete remains under orders from the cloak-and-dagger crowd. His mission: to keep a noncombatant vessel from using Argentina's coastal waters to rearm and refuel German U- boats on patrol in the South Atlantic. Fluent in Spanish, the personable young leatherneck moves in the capital city's highest social and military circles. While scheming how to do his duty without causing an international incident, Clete is tipped off by a Luftwaffe chum attached to the Third Reich's embassy that the supply ship will be carrying a massive amount of money earmarked to establish Nazi brass in postwar South America. A member of his undercover team also learns of a big-money racket whereby Jews may be ransomed from European death camps and resettled in Latin nations like Uruguay. With time out to put his flying skills at the disposal of insurgent Argentinean officers (whose ranks include Juan Domingo Per¢n) in their successful coup, and to help plan a wedding that will unite him with the high-born se§orita he has made great with child, Clete finds a way to turn the tables on the villainous Nazis without upsetting any diplomatic applecarts; and he manages also to exact a satisfactory measure of revenge for the untimely death of his father. An immensely entertaining adventure set in an equally intriguing milieu.
Pub Date: Jan. 1, 1997
ISBN: 0-399-14190-1
Page Count: 560
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 1, 1996
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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