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THE HUNTERS

Notable mostly for the digs at a CIA agent remarkably similar to Valerie Plame.

Griffin returns to chronicle the international adventures of heroic presidential special agent Charley Castillo (The Hostage, 2006).

Too modest and too rich to be just another rampaging Ollie North, Major C.G. “Charley,” polyglot love child of a German newspaper heiress and an even richer Texas aviator, has been charged by his doting president with the formation of a special-operations group answering only to the White House. The president wants Charley to clear up the mess left behind when he and his ragtag band of straight-shooting marines, honest CIA operatives, brainy Asian F.B.I. agents and their admiring Argentine opposite numbers located and almost snatched the perfidious high-level U.N. bureaucrat who absconded to rural Uruguay with 16 million dollars rightfully belonging to an international ring of oil-for-food swindlers. The snatch of the bureaucrat had been foiled by a black-clad gang of seemingly unidentifiable “Ninjas” armed with untraceable weapons, one of whom took out the bureaucrat even as Charley was reaching for him. The Ninjas were all wiped out, but the oil-for-food thieves want their money back and they want equally to eliminate anyone with clues about their identity, especially elderly Hungarian man-about-town and ace reporter Eric Kocian, a favorite of Charley’s. Armed with the disputed 16 million bucks snatched from the late bureaucrat’s secret accounts, girded with a promotion to Lt. Colonel and staffed with the best office administrator on the planet, Charley rounds up his troops and swears them into the new unit and off they fly in Charley’s Gulfstream, back and forth from Argentina to Germany to Hungary to Texas to Argentina to Uruguay, accompanied on much of the trip by Kocian’s huge and adorable Flemish sheepdog, until they at last clear up most of the mysteries, leaving just enough unsolved for a sequel.

Notable mostly for the digs at a CIA agent remarkably similar to Valerie Plame.

Pub Date: Jan. 2, 2007

ISBN: 0-399-15379-9

Page Count: 528

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 1, 2006

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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THE VEGETARIAN

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.

Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

Pub Date: Feb. 2, 2016

ISBN: 978-0-553-44818-4

Page Count: 192

Publisher: Hogarth

Review Posted Online: Oct. 19, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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