First hardcover edition of a volume from a paperback series, on the OSS in WW II, that the ever-popular Griffin (Blood and Honor, 1997, etc.) published pseudonymously (in 1985) as Alex Baldwin. In mid-1941, fun-loving Richard Canidy and straight-arrow Edwin Bitter are hotshot pilot instructors at the Navy's air station in Pensacola. With minimal prompting, they soon volunteer to serve with the so-called Flying Tigers. Before heading off (on a slow boat) to China, however, these two well-connected friends find time to join the social whirl in Washington, where crafty FDR has detailed Wild Bill Donovan to create an Office of Strategic Services. Shortly after arriving in Southeast Asia, Dick becomes an ace, downing five Japanese planes in a single sortie. The very same day, he's whisked away on orders from the White House. Meantime, the US (now at war against the Axis powers) plans to build an atomic bomb but lacks a secure source of uraninite. Which is where Dick comes in. His prep-school chum Eric Fulmar (the son of an American film actress and a German industrialist) is dodging the draft boards of both nations by hiding out in North Africa. Operating under cover from the US Embassy in Morocco, Dick is to enlist the aid of Fulmar in abducting a French mining engineer with badly needed information on a vital ore cache in the Belgian Congo. To make the mission more challenging, the amateur agents must carry out their assignment on a split-second schedule (to make an offshore rendezvous with a submarine) and get their man away without arousing the suspicions of either the Nazi or Vichy forces controlling the Maghreb coast. A rousing to-the-ends-of-the-earth start for an absorbing narrative takeout on the shadow warriors who handled some decidedly odd jobs in aid of the Allied cause.
Pub Date: June 2, 1997
ISBN: 0-399-14289-4
Page Count: 352
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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PROFILES
PERSPECTIVES
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