RENTAL HOUSE

An interracial couple vacations with both sets of parents.

Following the success of her novels Chemistry (2017) and Joan Is Okay (2022), Wang returns with the story of Keru and Nate, a Chinese American woman and a white man who meet at Yale, fall in love, and get married. Some years later, they go on two vacations—to Cape Cod and the Catskills—during which both sets of parents, as well as some unexpected visitors, come to stay with them. As they share rental houses with their families (and their large dog, Mantou), racial, cultural, and class tensions come to the surface. Keru’s Chinese immigrant parents are demanding and rigid, while Nate’s white, Appalachian, working-class parents (the couple argues at one point about whether they’re “white trash”) have their own set of particularities and prejudices. Keru chafes against Nate’s parents’ rural conservatism, occasional racism, and constant need to keep up appearances through pleasantries, even when conflict lurks beneath the surface. On the other hand, Nate feels intimidated and judged for his amateur Mandarin skills and reliance upon bourgeois comforts that Keru’s parents, as immigrants who have had to live in less ideal conditions, feel are lazy. (In one memorable incident, Keru’s father proclaims that “to use a dishwasher is to admit defeat.”) Caught in the crossfire of these contrasting mentalities and expectations, Keru and Nate are forced to reflect on the values that shape their relationship and their burgeoning family. Wang is an incisive writer with sharp psychological insight who does dialogue particularly well, revealing what is not said in conversation just as much as what is said out loud. This quietly engrossing novel is subtle and powerful in its cultural critique and will surely be relatable for anyone who has in-laws.

A compelling portrait of family dynamics under pressure.