Next book

DISTANT NEIGHBORS

THE SELECTED LETTERS OF WENDELL BERRY AND GARY SNYDER

Candid, introspective and often deeply philosophical, these letters offer intimate glimpses into the lives and minds of two...

A collection of letters chronicling two writers’ friendship and common interests in nature and faith.

Wriglesworth (English/Univ. of Waterloo) has gathered nearly 240 letters between Snyder and Berry, written since 1973, when the two began corresponding, Snyder (Back on the Fire: Essays, 2007, etc.) writing from his home in Nevada City, Calif., and Berry from Port Royal, Ky. Recurring themes include environmentalism, reflections on spirituality and the authors’ efforts to effect social change: “living at peace is a difficult, deceptive concept,” Berry wrote to Snyder in 1978. “Same for resisting evil. You can struggle, embattle yourself, resist evil until you become evil….And I see with considerable sorrow that I am not going to get done fighting and live at peace in anything like the simple way I thought I would.” Snyder saw the battle not against evil, but rather “ignorance, stupidity, narrow views [and] simple-minded egotism” and urged Berry not to fear “becoming tainted by ‘evil’ because that’s not really what you’re up against.” While Snyder practices Zen Buddhism, Berry calls himself a “forest Christian”; both are concerned with the “connection between enlightenment and householding.” Although Berry admitted “joyful relief” in their convergence of ideas about ecology, at times they differed. For example, when Snyder wrote enthusiastically about biologists’ work “to make cereals capable of fixing nitrogen like legumes do, saving 17 billion dollars a year in fertilizer worldwide,” Berry responded with alarm about “the science of genetic manipulation.” It may be good for farming, he conceded, but he worried that it would intensify agribusiness. The two writers have been attentive readers of each other’s work, and those critiques and the writer’s responses, are among the most interesting letters. Wriglesworth provides helpful information where needed, but annotations, relegated to endnotes, would be more useful as footnotes to each letter.

Candid, introspective and often deeply philosophical, these letters offer intimate glimpses into the lives and minds of two influential contemporary writers.

Pub Date: June 10, 2014

ISBN: 978-1-61902-305-5

Page Count: 352

Publisher: Counterpoint

Review Posted Online: April 13, 2014

Kirkus Reviews Issue: May 1, 2014

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview