A rambling and frustrating book from a normally reliable author.
The acclaimed farmer, novelist, and environmental essayist considers—and grumbles about—our current racial reckonings.
Berry has been writing about race for much of his career. His 1970 book, The Hidden Wound, considered the impact of slavery and its aftereffects on the country in general and his native Kentucky in particular. In essence, his approach hasn’t changed. He still advocates for tightknit communities that are, if not actively agrarian, at least compassionate toward the environment; from there, he suggests, balms to many social ills will naturally arrive. This digressive, at times exhausting book is at best a well-meaning, eloquent utopian plea to abandon urbanity; at worst, it lapses into all-lives-matter rhetoric insisting that slavery and the Confederacy, while wrongheaded, were misunderstood. Berry finds recent efforts to remove Confederate monuments to be unhelpful, leading to an extended consideration of Robert E. Lee as “one of the great tragic figures of our history, who embodied and suffered in his personal life our national tragedy.” The author also argues that most Confederate soldiers were not necessarily White supremacists but rather unfairly maligned just-following-orders types. “Whatever there may have been of kindness in slavery does not excuse it,” he writes later, “and whatever was most cruel does not typify it.” In his effort to seek nuance in racial divisions, Berry risks being misunderstood, which he acknowledges. The deeper problem is that he cherry-picks where he goes looking for nuance. He laments the Great Migration without considering its causes; curiously, mentions Jim Crow only in passing; and laments the loss of Confederate statues but doesn’t consider the option of elevating other communities in their places. The hardworking Amish farm he describes certainly sounds lovely, but his prescription that we somehow build a country from that kind of model is as impractical as any bureaucratic approach he has railed against in the past.
A rambling and frustrating book from a normally reliable author.Pub Date: Oct. 4, 2022
ISBN: 978-8-9856798-0-9
Page Count: 528
Publisher: Shoemaker & Company
Review Posted Online: July 29, 2022
Kirkus Reviews Issue: Sept. 1, 2022
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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