by Wendell Berry ‧ RELEASE DATE: Nov. 9, 2005
Provocative, pellucid prose from a master.
Many of the ideas we prize are dangerous and self-destructive; many of the values we profess to cherish we do not practice.
Prolific septuagenarian poet, novelist and essayist Berry (Citizenship Papers, 2003, etc.) returns with another collection of essays, most published (or delivered as speeches) in 2004. The astonishing thing about these pieces is not their lucidity and grace, not their plain profundity, but the variety of his subjects, the dimensions of his knowledge, experience, interest, passion. This is not to say that there are no common denominators. Respect for the land, for one another, for God—these appear on virtually every page in some form—as well as essays that focus on politics. Berry does not like what the Republicans are doing, but he chides Democrats for arrogance (behaving as if religious folks are ignorant and stupid), for allowing “values” issues like gay marriage to dominate the discussion, for caring more about winning than about crafting and promulgating a sensible agenda. There are other essays that focus on agriculture and its enemies: arrogance and ignorance and agribusiness. We believe, says Berry, that we can defeat Nature, that there are no deleterious consequences when we lift the lid of a mountain to extract what’s inside, that the social consequences of agribusiness (lost farms, decimated towns) are inconsequential. There are essays that focus on spirituality, perhaps none better than “The Burden of the Gospels.” Berry asks there: Would we have followed Jesus had we heard him during his lifetime? Are we strong enough to follow his most difficult teachings? There are times when Berry comes across as a bit sanguine, even romantic, about our ancestors’ husbandry of their resources (consult, for comparison, Jared Diamond’s Collapse), but he is fiercely loyal to his region, to his agrarian roots. “We need to quit thinking of rural America as a colony,” he declares. Berry appends two forgettable pieces by others.
Provocative, pellucid prose from a master.Pub Date: Nov. 9, 2005
ISBN: 1-59376-077-9
Page Count: 208
Publisher: Shoemaker & Hoard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2005
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by Stephen Erickson , Wendell Berry and Joel Fuhrman Jo-Anne McArthur Alan Lewis
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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