A great place to start for those who are not familiar with Berry’s work; for those who are, it will be a nostalgic stroll...
A pleasing selection of essays from the lifelong farmer and award-winning writer.
It’s a wonder that Berry (The Art of Loading Brush: New Agrarian Writings, 2017, etc.) gets any work done on his Kentucky farm given his prodigious literary output. He has written hundreds of essays, and English author Kingsnorth has carefully selected 31 of them, published from 1968 to 2011, to represent the “essential” Berry. Key words in the essay titles signal Berry’s ongoing concerns: nature, work, rugged individualism, citizenship, and agriculture. Throughout, he promotes caretaking, faith-keeping, kindness, and peace. In the introduction, Kingsnorth notes, “soil is the recurring image in these essays.” In 1989, Berry wrote, “we persist in land-use methods that reduce the potentially infinite power of soil fertility to a finite quantity, which we then proceed to waste as if it were an infinite quantity.” The author champions the “renewal of rural communities,” which must be accomplished “from the inside by the ancient rule of neighborliness, by the love of precious things, and by the wish to be at home.” In a fine piece on regional literature, Berry laments Twain’s conclusion to Huckleberry Finn, which “fails in failing to imagine a responsible, adult community life.” Instead, he pines for the “beloved community” of Sarah Orne Jewett’s The Country of the Pointed Firs. Berry also argues fiercely that “illiteracy is both a personal and a public danger.” Literacy, he writes, “is not an ornament, but a necessity.” Though the author is generally fairly somber, his 1987 essay explaining why he won’t buy a computer reveals a sly sense of humor: “If the use of a computer is a new idea, then a newer idea is not to use one.”
A great place to start for those who are not familiar with Berry’s work; for those who are, it will be a nostalgic stroll down a rural, wooded Memory Lane. In this day and age, his writings are must-reads.Pub Date: May 8, 2018
ISBN: 978-1-64009-028-6
Page Count: 368
Publisher: Counterpoint
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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