Deeply informed by the author’s experiences as a journalist but triumphantly transmuted into intelligent and heartfelt...
Taking the 2015 terrorist attacks in Paris as her first novel’s starting point, veteran foreign correspondent Steavenson (Circling the Square: Stories from the Egyptian Revolution, 2015, etc.) plunges her characters into the complexities of the post–9/11 world.
Like her creator, Kit is a Western journalist who has covered international messes from Baghdad and Beirut to a Greek port overwhelmed by refugees. She marries and then divorces Ahmed, an Iraqi who leaves her with his son from a previous marriage. She also acquires an ambivalent relationship to Islam, to which she converted despite the fact that her husband was an avowed atheist. Although Kit writes an article presenting the point of view of an Islamic fundamentalist, with whom she develops a tentative friendship, terrorist abductions of journalists and militant protests against cartoons depicting the prophet Muhammad turn her into a ranting critic of Islam as the enemy of Western tolerance and diversity. It’s hard to discern what the author thinks of Kit’s attitude, since the book is written in the first person; Steavenson may be agreeing with her character or portraying her as bigoted—or a bit of both—when Kit storms, “Muslims who were born and grew up in Europe are now violently rejecting its values, while at the same time their fellow Muslims are appealing to those values to let them in.” Steavenson masterfully evokes Kit’s natural habitat: a rootless, cosmopolitan, polyglot world peopled by footloose, cynical, yet covertly committed journalists and diplomats. Among the vividly rendered secondary characters are her childhood friend Zorro, a substance-abusing photojournalist; Rousse, a painter/illustrator for Charlie Hebdo; and her “godfathers” Alexandre and Jean, friends of her journalist father whose long-ago disappearance haunts her. The coordinated attacks of November 2015 form the novel’s climax, with Kit on the scene at the Bataclan theater and her terrified adopted son frantically texting her, “Where are you?” “If you have gone to journalist [I'll] never speak to you again.” Kit’s turbulent relationship with her son, “two mongrel outcasts brought together by fate,” is one of the finest things in this very fine novel.
Deeply informed by the author’s experiences as a journalist but triumphantly transmuted into intelligent and heartfelt fiction.Pub Date: March 13, 2018
ISBN: 978-0-393-60978-3
Page Count: 384
Publisher: Norton
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
