A diabolically plotted creep show from a writer to watch.
A mentally disturbed young man tries to track down a woman who was kidnapped right before his eyes in Heard’s debut thriller.
Twenty-three-year-old Sean Suh has been institutionalized for most of his adult life and officially diagnosed as schizophrenic. Now he's been released and lives in Austin with his mother, a world-famous neurosurgeon. The very bad thing that got him committed is a thing of the past, or so he’d like to think. Realistically, putting his hands near a female neck or a knife block is probably not a good idea, but when he meets flame-haired pre-med student Annabelle at Four Corners, an amusement park where he spends most of his days sketching people, Sean is smitten. His hopes of lasting romance are soon shattered when he sees Annabelle thrown into a white truck and driven away, screaming his name. Sean is immediately a suspect, and his past doesn’t help, so he decides to find Annabelle on his own. His search takes him from the nightclubs of Austin to the dusty small town of Lone Herman, where the cops are not very friendly, especially to a goth Korean-American kid poking his nose where it doesn’t belong. As Sean digs deeper into Annabelle’s fraught past, he finds himself falling down a deep, dark rabbit hole. The crushingly lonely Sean, who narrates, is a most unusual and very conflicted antihero. Heard challenges readers to empathize with him despite his horrific past, and the blazing narrative gleefully subverts a few horror/thriller tropes. The 1986 setting, which places the book's action at the tail end of a prolific stretch of serial killers, lends a grungy feel, and readers might even be forgiven for expecting the chainsaw-wielding Leatherface to appear during a few of the rural Texas sequences. Heard doesn’t rely on a lot of gore, though there's an undercurrent of low menace that builds to a nearly unbearable crescendo in the last act. In less capable hands, the delightfully dark twist and final denouement might not work, but Heard pulls it off.
A diabolically plotted creep show from a writer to watch.Pub Date: Dec. 18, 2018
ISBN: 978-0-7783-6934-9
Page Count: 304
Publisher: Harlequin MIRA
Review Posted Online: Sept. 1, 2018
Kirkus Reviews Issue: Sept. 15, 2018
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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