Superficially attractive but ultimately misses the mark.
This quiet retelling of a popular legend will have limited appeal.
The plot is straightforward, and the cat narrator pleasant if not especially engaging. The qualities of compassion and generosity that are gently demonstrated and the theme of virtue rewarded are undeniably laudable. Unfortunately, readers and listeners will likely feel distanced not just by the time and place of the story (Japan several hundred years ago) but by the formal language, lengthy text and limited, low-key action. A poor monk adopts a stray cat. The monk also cares for the physical and spiritual needs of the people in the surrounding area to the best of his abilities and (very) limited resources. The cat’s habit of raising one paw in a beckoning motion eventually brings good fortune when a rich samurai who happens to be passing is saved from a falling tree during a fierce storm. Like the text, the pictures fail to generate much interest. Jaeggi’s lovely watercolors reflect the serene tone and evoke the exotic setting, and her use of panels echoes traditional Japanese artwork. Depictions of the cat in its characteristic pose seem awkward, but other pictures show flashes of sly feline charm and add some humor and movement. Overall, however, the illustrations have a static feel that weighs down the already slow story. Koko Nishizuka and Rosanne Litzinger's The Beckoning Cat (2009) tells the same story but with greater success.
Superficially attractive but ultimately misses the mark. (author’s note) (Picture book/folktale. 6-9)Pub Date: Aug. 1, 2011
ISBN: 978-1-56145-589-8
Page Count: 32
Publisher: Peachtree
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
BOOK REVIEW
Disconcerting and possibly deadly dealings are afoot; certain to charm younger fans of the macabre.
In the latest installment of the delightfully disturbing chapter-book series, the mundane once more takes on supernatural qualities, this time in the form of veggies.
With this follow-up to Troubling Tonsils! (2025), our host, Jasper Rabbit, once more channels Twilight Zone creator Rod Serling. As Jasper narrates, we meet our heroes: fourth graders Thaddeus Badger and Oliver Possum, who love nothing more than eating junk food, particularly the hamburgers at Hurt-A-Burger (a mildly brilliant corporate name on the author’s part). When Oliver’s parents trick the two into a dinner of salads at their favorite fast-food joint, Thaddeus feels betrayed, but Oliver experiences something a little more dire. Soon after, Oliver starts acting strangely, and his parents begin behaving even more oddly. What’s going on? And does it have anything to do with the full moon? Tone is the true star of the show in this series; the mystery unspools thanks to the buildup of unnerving moments. Reynolds combines suspense with a keen ability to artistically frame both sunny innocent sequences and those rich with dark foreboding. Notably, this is no morality tale about eating your vegetables—this tale is fully on the side of its child readers. Brown’s black-and-white images, punctuated with eerie pops of green, heighten both horrifying and comedic moments.
Disconcerting and possibly deadly dealings are afoot; certain to charm younger fans of the macabre. (Chapter book. 6-9)Pub Date: Feb. 3, 2026
ISBN: 9781665961110
Page Count: 96
Publisher: Simon & Schuster
Review Posted Online: Oct. 25, 2025
Kirkus Reviews Issue: Dec. 1, 2025
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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