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I AM TAMA, LUCKY CAT

A JAPANESE LEGEND

Superficially attractive but ultimately misses the mark.

This quiet retelling of a popular legend will have limited appeal.

The plot is straightforward, and the cat narrator pleasant if not especially engaging. The qualities of compassion and generosity that are gently demonstrated and the theme of virtue rewarded are undeniably laudable. Unfortunately, readers and listeners will likely feel distanced not just by the time and place of the story (Japan several hundred years ago) but by the formal language, lengthy text and limited, low-key action. A poor monk adopts a stray cat. The monk also cares for the physical and spiritual needs of the people in the surrounding area to the best of his abilities and (very) limited resources. The cat’s habit of raising one paw in a beckoning motion eventually brings good fortune when a rich samurai who happens to be passing is saved from a falling tree during a fierce storm. Like the text, the pictures fail to generate much interest. Jaeggi’s lovely watercolors reflect the serene tone and evoke the exotic setting, and her use of panels echoes traditional Japanese artwork. Depictions of the cat in its characteristic pose seem awkward, but other pictures show flashes of sly feline charm and add some humor and movement. Overall, however, the illustrations have a static feel that weighs down the already slow story. Koko Nishizuka and Rosanne Litzinger's The Beckoning Cat (2009) tells the same story but with greater success.

Superficially attractive but ultimately misses the mark.   (author’s note) (Picture book/folktale. 6-9)

Pub Date: Aug. 1, 2011

ISBN: 978-1-56145-589-8

Page Count: 32

Publisher: Peachtree

Review Posted Online: July 5, 2011

Kirkus Reviews Issue: July 15, 2011

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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WAITING IS NOT EASY!

From the Elephant & Piggie series

A lesson that never grows old, enacted with verve by two favorite friends

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 4, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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