Next book

SHIKSA GODDESS

OR, HOW I SPENT MY FORTIES

For the Wasserstein fan who remembers reading something of hers somewhere sometime and wants to rediscover it—others will...

A scattered collection of 25 personal, mostly pithy magazine and newspaper pieces from the Pulitzer-winning playwright, with a couple of moving, deeply meditative entries for added heft.

When she’s not procrastinating on her latest Broadway play, Wasserstein (The Heidi Chronicles, etc.) supplements her income on assignment for the New York Times and New Woman, et al. She can be forgiven, then, the occasional tossed-off celebrity puff piece or 500-word exegesis on body weight (a favorite topic). Taken together, though, they make for a pick-and-choose perusal at best, rather than a satisfying, sit-down read. But this is Wasserstein, after all, the celebrated chronicler of haute, neurotic society, and any time spent with her promises not a few funny, conspiratorial glances at the silliness that surrounds us. There’s the very public discoveries of Jewish heritage among politicians, for starters, lending Hillary Clinton and Madeleine Albright some claim to chosen-people status and thus leading Wasserstein—“Shiksa Goddess”—out of her “Episcopalian” closet. And self-deprecating to the end, the author—a “walking magnet for fats, sugars, and useless carbos”—imagines a transformed world of fashion and advertising glamorized by the curvaceous and bodacious (“Waif Goodbye, Hello Bulge”): “By now everyone knows Byelorussia, the five-foot-four, 250-pound, blue-eyed cover girl whose signature style is flat shoes and elastic-waistband skirts.” Beyond the parody, there are some abrupt, though welcome, shifts into the earnest and emotional—most notably the last two pieces, in which the single Wasserstein plots a course for pregnancy, changes her mind, watches her sister die of cancer, and then (in last year’s heralded New Yorker piece “Days of Awe”) gives birth at 26 weeks to Lucy Jane. It’s a small piece of writing hidden at the end of too much frivolity that points to Wasserstein as one of the most effective personal essayists we have.

For the Wasserstein fan who remembers reading something of hers somewhere sometime and wants to rediscover it—others will wonder what all the fuss is about. Skip to the end.

Pub Date: May 15, 2001

ISBN: 0-375-41165-8

Page Count: 256

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2001

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview