by Werner Herzog ; translated by Krishna Winston ‧ RELEASE DATE: July 1, 2009
A valuable historical record and a strangely stylish, hypnotic literary work.
The acclaimed director’s diary of his time making Fitzcarraldo (1982).
From the beginning, the film faced more challenges and uncertainties than most of Herzog’s other movies, and he composed a lengthy list that ended with the grim forecast that it could “be added to indefinitely.” Filming had to start anew after Jason Robards, the original lead and an actor Herzog came to scorn, abandoned the project halfway through due to illness, and Mick Jagger, set to play the lead character’s assistant, had to drop out to go on tour. When filming restarted, it was with German actor Klaus Kinski, a raving, unhinged presence in these journals—his volatility so alarmed the locals that they quietly asked the director if he wanted Kinski killed. Then there were the nightmarish logistics of the famous scene where a steamship is dragged over a small hill in the jungle, from one river to another. Herzog insisted that, as the central metaphor of the film, the event must be recorded without any compromise. (Much of the behind-the-scenes drama is recorded in Les Blank’s documentary Burden of Dreams.) Herzog’s journals effectively map the director’s dislocation and loneliness, but they also highlight his unique imagination and the profound effect the remote Peruvian location had on him. The writing is haunted by what Herzog came to see as the misery of the jungle, a place where “all the proportions are off.” He slept fitfully, when at all, and there is a hallucinatory quality to the journals—the line between what is real and what is imagined becomes nearly invisible. Recorded daily, with occasional gaps and fragments, Herzog’s reflections are disquieting but also urgent and compelling—as he notes, “it’s only through writing that I come to my senses.”
A valuable historical record and a strangely stylish, hypnotic literary work.Pub Date: July 1, 2009
ISBN: 978-0-06-157553-2
Page Count: 320
Publisher: Ecco/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2009
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by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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