by Wesley J. Smith ‧ RELEASE DATE: June 1, 1997
An anti-euthanasia activist blasts the right-to-die forces, calling their goal ``a social experiment that will lead to cultural and ethical catastrophe.'' As the attorney for the International Anti-Euthanasia Task Force, Smith appears frequently on radio and television to argue against what he calls ``the death culture.'' Opponents of assisted suicide—Smith uses the terms ``assisted suicide'' and ``euthanasia'' interchangeably—will find this a valuable debating manual, for it presents the most common pro-euthanasia arguments and then provides considered responses to them. Noting similarities between today's euthanasia movement and the one that flourished in Germany earlier in this century (despite the compassion that motivates contemporary supporters), and citing the results of what he refers to as ``death on demand'' in the Netherlands, he warns that granting the right to die to the terminally ill will soon be followed by legal killing of the disabled, the chronically ill, and even the depressed. Smith looks at the defeat of referendums to legalize euthanasia in Washington State and California, and examines weaknesses in the safeguards against abuse included in a similar Oregon referendum that narrowly passed but is now tied up in the courts. HMOs, with their emphasis on controlling costs by limiting services, and euthanasia are a deadly combination, he says, predicting that ``the day doctors are legally allowed to kill patients, Wall Street investors in for-profit HMOs will be dancing in the streets.'' A phrase-maker of no mean talent, Smith titles his last chapter ``Hospice or Hemlock: The Choice is Ours.'' In it he argues that we must create a culture of compassion that empowers the disabled, sees every patient as valuable, and provides end-of-life care to the dying. Powerful arguments from a passionate, articulate, sometimes strident spokesman. (Author tour)
Pub Date: June 1, 1997
ISBN: 0-8129-2790-7
Page Count: 304
Publisher: Times/Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Maya Angelou ‧ RELEASE DATE: Feb. 1, 1969
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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by Maya Angelou
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by Maya Angelou
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by Maya Angelou and illustrated by Steve Johnson and Lou Fancher
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