Too many sour notes in this melody.
A ham-handed contemporary Phantom of the Opera that features a teen pop sensation and an agoraphobic boy by the adult author of The Wolfen (1978). Teen singer and actress Melody McGrath wakes one night to find an attractive boy beside her bed. His name is Beresford, and he’s been living in the walls of her L.A. high rise since the day his father was murdered for trying to document the building’s violations. Instead of being understandably terrified, Melody is charmed, and the two fall in love immediately. They are torn apart when the building super discovers Beresford, and he is shipped off to foster care. Luckily, just before he is taken away, Beresford sees the basement bomb planted by the shady superintendent and his father’s murderer in order to collect a hefty insurance check. So he breaks out of juvie and arrives just in time to save Melody from the burning building by crawling down the side, Spider-Man style. Stronger writing may have distracted readers from the plot’s sheer implausibility, but insipid lines such as, “ ‘Melody,’ he said in his heart, ‘if I die tonight, my last thought will be of you,’ ” and overuse of the words “beautiful” and “perfect” to describe everything from Melody’s eyes to Beresford’s muscles do little to help its case.
Too many sour notes in this melody. (Fiction. 12 & up)Pub Date: Dec. 6, 2011
ISBN: 978-0-8050-9327-8
Page Count: 224
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: Oct. 4, 2011
Kirkus Reviews Issue: Nov. 1, 2011
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
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