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LOVE IS FOR LOSERS

A sardonic voice drives an unfortunately tedious tale.

Fifteen-year-old Londoner Phoebe is busy studying for important exams and volunteering when she finds herself developing a crush on a girl even though she thinks love is basically a disease.

Phoebe’s mum is off helping people again. She’s a doctor, and while she’s in Syria for six months, Phoebe is sent to live with her godmother, Kate. While volunteering at Kate’s thrift store, Phoebe works alongside a grumpy woman who hates her, a young man with Down syndrome who loves to bake, and Emma, who is “entirely effortless perfection.” Phoebe isn’t keen on making new friends since her BFF Polly only seems to care about her new boyfriend now, but Emma becomes her friend anyway. They spend time together with kittens and ice cream and find ways to make working at the shop more exciting. Eventually, Phoebe realizes her feelings for Emma are more than just friendship. Told through diary format, Phoebe’s voice is conversational and replete with hashtags and acronyms. The misanthropic teen can be hyperbolic and petulant, but she’s endearing for her sarcasm and wit. There’s not a central plot to the book; it’s a slice-of-life story, but descriptions of mundane days get tiresome. Many different topics, including family, friends, school, sexuality, grief, and faith, are explored, but while some are thoughtfully handled, others feel tacked on and lacking in substance. Primary characters are assumed white.

A sardonic voice drives an unfortunately tedious tale. (Fiction. 14-18)

Pub Date: Feb. 23, 2021

ISBN: 978-0-374-31397-5

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 21, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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  • New York Times Bestseller

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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