With Minoan civilization destroyed by the eruption, Taita routs the Hykos, albeit still in perilous control of lower Egypt,...
Delving again into ancient history, Smith (Vicious Circle, 2013, etc.) returns to the adventures of Taita, first a slave and then diplomat-warrior for pharaohs.
From a Thebes redoubt, young Pharaoh Tamose rules part of a divided Egypt. Hykos invaders control the lower Nile. Tamose, however, has a secret weapon: the eunuch former slave, Taita, a polymath genius. To reclaim lost land, Tamose, with Taita carrying the emblem of absolute authority (the royal hawk seal), must form alliances with King Nimrod of Babylon and the Supreme Minos of Crete. First, Taita leads a false-flag raid on the Hykos’ Mediterranean fort of Tamiat, looting a treasure of silver ingots. Next comes a cross-desert trek to Babylon, all thirst and duplicitous Bedouins. Along the way, Taita loses his battle to preserve the virginity of the pharaoh’s nubile sisters, Tehuti and Bekatha, meant as brides for the Supreme Minos of Crete, meaning sure diplomatic complications. Finally, amid sea battles and barbaric rituals involving giant aurochs, Taita, guided by visions of the goddess Ishtar, secures the alliance, an arduous undertaking because "the Minoans in general were a sullen and difficult people, and extremely hostile towards strangers and foreigners." Taita serves Tamose well and becomes "a nobleman and a member of my inner council," but as a protagonist, Taita is a one-note hero: constantly self-congratulatory, too inevitably right, too sure to survive. Smith, in fact, tends to write characters as uniformly good or bad. In a narrative that often seems rushed, key elements are covered by quick exposition to accelerate the plot, as when Mount Cronus erupts and Taita rescues Tehuti and Bekatha. However, there’s also much action, battles and gore, and sufficient particulars of landscapes and people, food and drink to satisfy history buffs.
With Minoan civilization destroyed by the eruption, Taita routs the Hykos, albeit still in perilous control of lower Egypt, which suggests Smith’s eunuch/warrior/statesman has another adventure in store.Pub Date: Oct. 21, 2014
ISBN: 978-0-06-227645-2
Page Count: 480
Publisher: Morrow/HarperCollins
Review Posted Online: July 22, 2014
Kirkus Reviews Issue: Aug. 15, 2014
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
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