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DESERT GOD

With Minoan civilization destroyed by the eruption, Taita routs the Hykos, albeit still in perilous control of lower Egypt,...

Delving again into ancient history, Smith (Vicious Circle, 2013, etc.) returns to the adventures of Taita, first a slave and then diplomat-warrior for pharaohs.

From a Thebes redoubt, young Pharaoh Tamose rules part of a divided Egypt. Hykos invaders control the lower Nile. Tamose, however, has a secret weapon: the eunuch former slave, Taita, a polymath genius. To reclaim lost land, Tamose, with Taita carrying the emblem of absolute authority (the royal hawk seal), must form alliances with King Nimrod of Babylon and the Supreme Minos of Crete. First, Taita leads a false-flag raid on the Hykos’ Mediterranean fort of Tamiat, looting a treasure of silver ingots. Next comes a cross-desert trek to Babylon, all thirst and duplicitous Bedouins. Along the way, Taita loses his battle to preserve the virginity of the pharaoh’s nubile sisters, Tehuti and Bekatha, meant as brides for the Supreme Minos of Crete, meaning sure diplomatic complications. Finally, amid sea battles and barbaric rituals involving giant aurochs, Taita, guided by visions of the goddess Ishtar, secures the alliance, an arduous undertaking because "the Minoans in general were a sullen and difficult people, and extremely hostile towards strangers and foreigners." Taita serves Tamose well and becomes "a nobleman and a member of my inner council," but as a protagonist, Taita is a one-note hero: constantly self-congratulatory, too inevitably right, too sure to survive. Smith, in fact, tends to write characters as uniformly good or bad. In a narrative that often seems rushed, key elements are covered by quick exposition to accelerate the plot, as when Mount Cronus erupts and Taita rescues Tehuti and Bekatha. However, there’s also much action, battles and gore, and sufficient particulars of landscapes and people, food and drink to satisfy history buffs.

With Minoan civilization destroyed by the eruption, Taita routs the Hykos, albeit still in perilous control of lower Egypt, which suggests Smith’s eunuch/warrior/statesman has another adventure in store.

Pub Date: Oct. 21, 2014

ISBN: 978-0-06-227645-2

Page Count: 480

Publisher: Morrow/HarperCollins

Review Posted Online: July 22, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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THE NICKEL BOYS

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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