by Will Clarke ‧ RELEASE DATE: July 19, 2017
A bizarrely soulful ride through New Orleans with corporate high jinks and some mystical, unseen forces adding to the...
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An oil company lawyer moves home to New Orleans and finds that his fortuneteller mother has disappeared in Clarke’s (The Worthy, 2006, etc.) novel.
Duke Melançon grew up in New Orleans, at the corner of Magazine and Napoleon, in a fancy, inherited house that his wild Cajun family has practically destroyed. His father married a Russian fortuneteller, known as Madame Melançon, and they had seven sons and one girl. The youngest son, Duke, is a corporate lawyer in the External Affairs Department for oil giant Mandala Worldwide. During an accident on a rig in the Gulf of Mexico, 50 workers died, and oil is pouring into the Gulf. The company transfers Duke and his wife and kids to New Orleans to deal with the fallout, and Duke learns of a family crisis “when their witchy mother runs out into the hot, syrupy night, chasing a calico cat.” Madame Melançon doesn’t come home, and the family launches a search effort while Duke’s new home is invaded by a gaze of raccoons. As Duke’s wife and kids flee the craziness for Houston, Duke searches for answers about his mother from colorful locals, including a Kurt Vonnegut–like homeless guy and a shady villain. An elusive necklace of gold coins may hold the key to Madame’s location as Duke tries to stay afloat with his career and his marriage. Clarke’s riotous, amusing novel parallels real events, namely the Deepwater Horizon oil spill, which does help ground a story that moves toward a moderately supernatural conclusion. The Melançons’ stomping ground, the boisterous streets of New Orleans, is described in raucous and earthy details, a perpetual morning-after that juxtaposes inebriated tourists and battered locals. The family crisis is as pressing as the oil disaster. It’s all very entertaining but also raises consequential questions about whether money can solve a moral crisis.
A bizarrely soulful ride through New Orleans with corporate high jinks and some mystical, unseen forces adding to the experience.Pub Date: July 19, 2017
ISBN: 978-0-9726588-3-6
Page Count: 354
Publisher: Middle Finger Press
Review Posted Online: July 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
Review Program: Kirkus Indie
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by Will Clarke
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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